No separator－Untitled folder, 1943, 1977, undated
File — Box: 69, Folder: 12
Identifier: 0039_PER_Pian_Series_1_Subseries_69_Folder_12
－Materials enclosed in a document envelope. On envelope: IMS Paper on Modes. 1977 Aug. To file at school. Includes:
1) Letter from Harold S. Powers to Members of the "mode" panel, IMS 1977 (Berkeley). January 4, 1977. 3 sheets. Typescript, signed (photocopy) with handwritten notes. Introducing eight members of the Panel number 16 of the Berkeley IMS Congress in August 1977 (Note 1) (Note 2)
2) Twelfth Congress of the International Musicological Society. Interdisciplinary Horizons in the Study of Musical Traditions, East and West. August 21-27, 1977. 1 sheet. Leaflet. With handwritten notes (Note 2)
3) Letter from Harold S. Powers to Rulan Chao Pian. July 8, 1977. Typescript, signed. On the copies of Becker's and Meier's papers for the IMS mode panel and the throwaway for a departmental colloquium (Note 2)
4) Letter from Harry to Rulan Chao Pian. January 4, 1977. Typescript, signed with handwritten notes. On the circular to the IMS "mode" panel (Note 2)
5) Letter from Harry to Rulan. 22 July, 1977. Holograph, signed. Thanks for the card and mentioning the attached paper draft by Prem Late Sharma (Note 2)
6) Some possible points of reference for the panel Eastern and Western concepts of mode (IMS Congress, Berkeley, 1977). Typescript (photocopy) with handwritten notes. "Introd."
7) Letter from Harold S. Powers to Members of the "mode" panel, IMS 1977 (Berkeley). January 4, 1977. 3 sheets. Typescript, signed (photocopy) with handwritten notes. Introducing eight members of the Panel number 16 of the Berkeley IMS Congress in August 1977 (Note 1) (Note 2)
8) Letter from Harold S. Powers to Members of panel #16 (Mode), IMS 1977. Typescript (photocopy), signed with handwritten notes. On the date of the formal and study sessions, and inquiring about the equipment for the presentation (Note 2)
9) Letter from H.S. Powers to the Chairman of Program Committee, IMS 1977. Typescript (photocopy) with handwritten markings. Subject: Brief summary of the aims of the panel and study session (Note 2)
10) Letter from Harold S. Power to Rulan Chao Pian. Auguest 6, 1977. 2 sheets. Typescript, signed with handwritten notes. On the suggestion for the text for a oral talk (Note 2)
11) Participants and topics for the panel "Eastern and Western concepts of mode. IMS Congress, Berkeley, August 1977 (with some recent bibliography relevant to the topic). Typescript (photocopy) with handwritten notes. "Harry" (Note 1) (Note 2)
12) Materials enclosed by a folded sheet. Includes:
i) The Parapteres: A Perspective on Changes in the Western Concept of Tonus in the Ninth and Tenth Centuries. By Charles M. Atkinson. 5 sheets. Typescript (photocopy) with handwritten notes. Pages 1-5. "#1 (replacing Huglo)"(Note 2)
13) Materials enclosed by a folded sheet. "#5". Includes:
i) Some thoughts about Pathet, Javanese modal classification. Judith Becker. June, 1977. 14 sheets. Typescript (photocopy) with handwritten notes. "#5" (Note 2)
14) La notion de modalité sous jacente aux tonaires et aux anciens théoriciens. Muchel Huglo. 9 sheets. Typescript (photocopy) with handwritten notes. "#4. not coming. replaced" (Note 2)
15) Transposition and transformation in western chant. 3 scores. Holograph (photocopy). 5-line staff notation with lyrics in French. Pages 1-3 (Note 2)
16) Fig.5. Photocopy. Octave grave et Octave aigüe (Note 2)
17) Transposition and transformation (West and South Asia). 1 score. Holograph (photocopy). 5-line staff notation (Note 2)
18) Transposition and transformation in Javanese music. 5 scores. Holograph (photocopy) with handwritten notes. 5-line staff notation with lyrics in Javanese. Pages 1-5 (Note 2)
19) Transposition and transformation in Japanese gagaku. 2 scores. Holograph (photocopy) with handwritten notes. 5-line staff notation (Note 2)
20) Materials enclosed by a folded sheet. Includes:
i) Tonal systems of the so-called classical vocal polyphony. Bernhard Meier. 6 sheets. Typescript (photocopy) with handwritten notes. "#2" (Note 2)
21) Eastern and Western Concepts of Mode. Jürgen Elsner. 3 sheets. Typescript (photocopy). Text in German(Note 2)
22) Eastern and Western Concepts of Mode. Jürgen Elsner. 3 sheets. Typescript (photocopy) with handwritten notes. "#3" (Note 2)
23) Maqām and Modus. Jürgen Elsner. 9 sheets. Typescript (photocopy) with handwritten notes. "#3" (Note 2)
24) Sharma-glossary. 2 sheets. Holograph (photocopy) with handwritten notes. "#3" (Note 2)
25) Rāga and Rasa. Pren Lata Sharma. 5 sheets. Typescript (photocopy) with handwritten notes. "#4" (Note 2)
26) Rāga and Rasa. Pren Lata Sharma. 19 sheets. Typescript (photocopy) with handwritten notes. "#4" (Note 2)
27) Notes (Sharma). 1 sheet. Typescript (photocopy) with handwritten notes (Note 2)
28) Appendix I. Jāti-s and their connection with Rasa-s and different acts (preksana-s) in drama. 1 sheet. Typescript (photocopy) with handwritten notes (Note 2)
29) Appendix II. Grāmarāga-s and their connection with Rasa-s and different junctures in drama. 2 sheets. Typescript (photocopy) with handwritten notes (Note 2)
30) Harold Powers. 9 sheets. Typescript (photocopy) with handwritten notes. Pages 3-8, 12-13, 16 (Note 2)
31) The Parapteres: A Perspective on changes in the western concept of tonus in the ninth and tenth centuries. Charles M. Atkinson. 1977. Typescript (photocopy). "I.M.S.Berkeley" (Note 2)
32) Aus: Jan Pietersz" Sweelinck Werken voor orgel en clavecimbel (Amsterdam, 1943). 1 score. Photocopy with handwritten notes. 5-line staff notation. "Toccata" (Note 2)
33) Sharma-glossary. 2 sheets. Holograph (photocopy) (Note 2)
34) Handout for Round Table "Eastern and Western Concepts of Mode", Javanese Pathet. Judith Becker. 2 sheets. Holograph (photocopy) (Note 2)
35) Tonartliche Ordnungen der sogenannten klassischen Vokalpolyphonie. Bernhard Meier. 4 sheets. Typescript (photocopy). Text in German (Note 2)
36) Tonartliche Ordnungen der sogenannten klassischen Vokalpolyphonie. Bernhard Meier. 13 sheets. Typescript with handwritten notes (photocopy). Text in German (Note 2)
37) Anmerkungen. B. Meier. 2 sheets. Typescript with handwritten notes (photocopy). Text in German (Note 2)
38) Notenanhang. B. Meier. 1 score. Photocopy with handwritten notes. 5-line staff notation. "Toccata" (Note 2)
39) Round Table: Eastern and Western Comcepts of Mode. Jürgen Elsner. 21 sheets. Typescript with handwritten notes (photocopy). "Maqām und Modus" (Note 2)
40) Notenbeispiel. Holograph (photocopy). 5-line staff notation (Note 2)
1) Letter from Harold S. Powers to Members of the "mode" panel, IMS 1977 (Berkeley). January 4, 1977. 3 sheets. Typescript, signed (photocopy) with handwritten notes. Introducing eight members of the Panel number 16 of the Berkeley IMS Congress in August 1977 (Note 1) (Note 2)
2) Twelfth Congress of the International Musicological Society. Interdisciplinary Horizons in the Study of Musical Traditions, East and West. August 21-27, 1977. 1 sheet. Leaflet. With handwritten notes (Note 2)
3) Letter from Harold S. Powers to Rulan Chao Pian. July 8, 1977. Typescript, signed. On the copies of Becker's and Meier's papers for the IMS mode panel and the throwaway for a departmental colloquium (Note 2)
4) Letter from Harry to Rulan Chao Pian. January 4, 1977. Typescript, signed with handwritten notes. On the circular to the IMS "mode" panel (Note 2)
5) Letter from Harry to Rulan. 22 July, 1977. Holograph, signed. Thanks for the card and mentioning the attached paper draft by Prem Late Sharma (Note 2)
6) Some possible points of reference for the panel Eastern and Western concepts of mode (IMS Congress, Berkeley, 1977). Typescript (photocopy) with handwritten notes. "Introd."
7) Letter from Harold S. Powers to Members of the "mode" panel, IMS 1977 (Berkeley). January 4, 1977. 3 sheets. Typescript, signed (photocopy) with handwritten notes. Introducing eight members of the Panel number 16 of the Berkeley IMS Congress in August 1977 (Note 1) (Note 2)
8) Letter from Harold S. Powers to Members of panel #16 (Mode), IMS 1977. Typescript (photocopy), signed with handwritten notes. On the date of the formal and study sessions, and inquiring about the equipment for the presentation (Note 2)
9) Letter from H.S. Powers to the Chairman of Program Committee, IMS 1977. Typescript (photocopy) with handwritten markings. Subject: Brief summary of the aims of the panel and study session (Note 2)
10) Letter from Harold S. Power to Rulan Chao Pian. Auguest 6, 1977. 2 sheets. Typescript, signed with handwritten notes. On the suggestion for the text for a oral talk (Note 2)
11) Participants and topics for the panel "Eastern and Western concepts of mode. IMS Congress, Berkeley, August 1977 (with some recent bibliography relevant to the topic). Typescript (photocopy) with handwritten notes. "Harry" (Note 1) (Note 2)
12) Materials enclosed by a folded sheet. Includes:
i) The Parapteres: A Perspective on Changes in the Western Concept of Tonus in the Ninth and Tenth Centuries. By Charles M. Atkinson. 5 sheets. Typescript (photocopy) with handwritten notes. Pages 1-5. "#1 (replacing Huglo)"(Note 2)
13) Materials enclosed by a folded sheet. "#5". Includes:
i) Some thoughts about Pathet, Javanese modal classification. Judith Becker. June, 1977. 14 sheets. Typescript (photocopy) with handwritten notes. "#5" (Note 2)
14) La notion de modalité sous jacente aux tonaires et aux anciens théoriciens. Muchel Huglo. 9 sheets. Typescript (photocopy) with handwritten notes. "#4. not coming. replaced" (Note 2)
15) Transposition and transformation in western chant. 3 scores. Holograph (photocopy). 5-line staff notation with lyrics in French. Pages 1-3 (Note 2)
16) Fig.5. Photocopy. Octave grave et Octave aigüe (Note 2)
17) Transposition and transformation (West and South Asia). 1 score. Holograph (photocopy). 5-line staff notation (Note 2)
18) Transposition and transformation in Javanese music. 5 scores. Holograph (photocopy) with handwritten notes. 5-line staff notation with lyrics in Javanese. Pages 1-5 (Note 2)
19) Transposition and transformation in Japanese gagaku. 2 scores. Holograph (photocopy) with handwritten notes. 5-line staff notation (Note 2)
20) Materials enclosed by a folded sheet. Includes:
i) Tonal systems of the so-called classical vocal polyphony. Bernhard Meier. 6 sheets. Typescript (photocopy) with handwritten notes. "#2" (Note 2)
21) Eastern and Western Concepts of Mode. Jürgen Elsner. 3 sheets. Typescript (photocopy). Text in German(Note 2)
22) Eastern and Western Concepts of Mode. Jürgen Elsner. 3 sheets. Typescript (photocopy) with handwritten notes. "#3" (Note 2)
23) Maqām and Modus. Jürgen Elsner. 9 sheets. Typescript (photocopy) with handwritten notes. "#3" (Note 2)
24) Sharma-glossary. 2 sheets. Holograph (photocopy) with handwritten notes. "#3" (Note 2)
25) Rāga and Rasa. Pren Lata Sharma. 5 sheets. Typescript (photocopy) with handwritten notes. "#4" (Note 2)
26) Rāga and Rasa. Pren Lata Sharma. 19 sheets. Typescript (photocopy) with handwritten notes. "#4" (Note 2)
27) Notes (Sharma). 1 sheet. Typescript (photocopy) with handwritten notes (Note 2)
28) Appendix I. Jāti-s and their connection with Rasa-s and different acts (preksana-s) in drama. 1 sheet. Typescript (photocopy) with handwritten notes (Note 2)
29) Appendix II. Grāmarāga-s and their connection with Rasa-s and different junctures in drama. 2 sheets. Typescript (photocopy) with handwritten notes (Note 2)
30) Harold Powers. 9 sheets. Typescript (photocopy) with handwritten notes. Pages 3-8, 12-13, 16 (Note 2)
31) The Parapteres: A Perspective on changes in the western concept of tonus in the ninth and tenth centuries. Charles M. Atkinson. 1977. Typescript (photocopy). "I.M.S.Berkeley" (Note 2)
32) Aus: Jan Pietersz" Sweelinck Werken voor orgel en clavecimbel (Amsterdam, 1943). 1 score. Photocopy with handwritten notes. 5-line staff notation. "Toccata" (Note 2)
33) Sharma-glossary. 2 sheets. Holograph (photocopy) (Note 2)
34) Handout for Round Table "Eastern and Western Concepts of Mode", Javanese Pathet. Judith Becker. 2 sheets. Holograph (photocopy) (Note 2)
35) Tonartliche Ordnungen der sogenannten klassischen Vokalpolyphonie. Bernhard Meier. 4 sheets. Typescript (photocopy). Text in German (Note 2)
36) Tonartliche Ordnungen der sogenannten klassischen Vokalpolyphonie. Bernhard Meier. 13 sheets. Typescript with handwritten notes (photocopy). Text in German (Note 2)
37) Anmerkungen. B. Meier. 2 sheets. Typescript with handwritten notes (photocopy). Text in German (Note 2)
38) Notenanhang. B. Meier. 1 score. Photocopy with handwritten notes. 5-line staff notation. "Toccata" (Note 2)
39) Round Table: Eastern and Western Comcepts of Mode. Jürgen Elsner. 21 sheets. Typescript with handwritten notes (photocopy). "Maqām und Modus" (Note 2)
40) Notenbeispiel. Holograph (photocopy). 5-line staff notation (Note 2)
Dates
- 1943, 1977, undated
Language of Materials
Chiefly in English
Conditions Governing Access
Note 1: Contains personal data or sensitive information; access restricted
Conditions Governing Use
Note 2: Copyright restrictions may apply
Extent
1 file(s)
Creator
- From the Fonds: Pian, Rulan Chao, 1922-2013 (Creator, Person)
Repository Details
Part of the CUHK Library Archival Collections Repository
Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk