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Music Business-Music Business letters, 1965-1972, undated

 File — Box: 44, Folder: 46
Identifier: 0039_PER_Pian_Series_1_Subseries_44_Folder_46
-Henry Cowell, Composer, Dies; Used Unusual Sounds in Works. New York Times. December. With handwritten notes (Note 2)

-中國文化學院音樂研究所「中華樂典」(近代人名篇)編纂資料調查表。五十四年九月。油印本 2 張。姓名:趙元任。有手寫筆記 (Note 2)

-Won-Kyung Cho. Printout. Program leaflet (Note 2)

-Letter from Won Kyung Cho to Rulan Chao Pian. October 10, 1965. Typescript, signed. Inviting to an evening concert (Note 1) (Note 2)

-張其昀、王志鵠致趙如蘭信函。九、廿二。影印本。敬請惠予詳細填列「資料調查表」乙份 (Note 2)

-Letter from J. Porte to Rulan Chao Pian. le 5 novembre 1965. Typescript, signed. A letter in French. Includes a letter from Rulan Chao Pian to Mr. J.Porte. Nov.15, 1965. Typescript, signed (carbon copy) (Note 2)

-Letter from Paul E. O'Connell to Chao Rulan Pian. October 29, 1965. Typescript, signed. Thank you for the willingness to give a critique of Chapter Six of William Malm's book. Attached with:
 A letter from Rulan Chao Pian to Mr. Paul E. O'Connell. Nov.2, 1965. Typescript, signed (carbon copy) (Note 1) (Note 2)

-Letter from Paul E. O'Connell to Chao Rulan Pian. October 1, 1965. Typescript (carbon copy). Enquiring about reviewing a portion of Music Cultures of the Pacific, the near East, and Asia from William Malm. Includes a letter from Rulan Chao Pian to Mr. Paul E.O'Connell. Oct 24, 1965. Typescript (carbon copy) (Note 2)

-Letter from Paul E. O'Connell to Chao Rulan Pian. October 19, 1965. Typescript, signed. Inquiring about the ability to give a detailed reaction to Professor Malm's Chapter Six on East Asia (Note 2)

-Letter from Paul E. O'Connell to Chao Rulan Pian. October 1, 1965. Typescript (carbon copy). Enquiring about reviewing a portion of Music Cultures of the Pacific, the near East, and Aisa from William Malm (Note 2)

-Letter from Adele Rickett to Rulan Pian. October 28, 1965. 2 sheets. Typescript, signed. Asking for advice concerning the dissertation (Note 1) (Note 2)

-Project to preserve traditional recitation of Chinese classical literatures. Includes:
 1) Letter from YR Chao to Wayne Schlepp. January 13 1966. Typescript (carbon copy). Showing interest in supporting the traditional recitation of Chinese classical literature. With a handwritten message to Iris
 2) Letter from Wayne Schlepp to Yüan-ren Chao. 9 January 1966. Typescript, signed (photocopy). Enquiring about comment on the proposal to the Humanities Foundation (Note 2)
 3) A proposal to Chairman, Endowment for the Humanities National Foundation for the Art and the Humanities for Project Preserve Traditional Recitation on Chinese Classical Literature. Wayne A. Schlepp. July 1966. 15 sheets. Typescript (mimeographed) (Note 2)

-Quarterly letter. The Society for Asian Music. Fall 1965. 4 sheets. Typescript (photocopy). Pages [1]-[8] (Note 2)

-漁夫。三月九號。手稿。五線譜。中文歌詞 (Note 2)

-林宗源 (Tsong-yuan Lin) 致卞太太郵簡。Feb/7。手稿。關於矮人祭歌曲錄音一事。郵戳日期:7.II.56 (Note 2)

-趙如蘭致林先生信函。二月十二日。手稿(碳紙副本)。回覆七號的信函

-Letter from Alona E. Evans to Rulan Chao Pien. January 28, 1966. Typescript, signed. Inviting to present a lecture on fundamental aspects of Chinese musical style, instrumentation, and literature (Note 2)

-Letter from Rulan Chao Pian to Alona E. Evans. Feb 12, 1966. Typescript, signed (carbon copy). Showing the interest in giving a lecture on Chinese music

-Letter from Rulan Chao Pian to John M. Ward. Feb 10, 1966. 3 sheets. Typescript, signed (carbon copy). Making an annual "report" on giving a weekly seminar on Chinese music for a year beginning (Note 1)

-Letter from Alona E. Evans to Rulan Chao Pian. February 22, 1966. Typescript, signed. Thank you for participating in the Mayling Soong Foundation's program "Modern China: Cultural Tradition and Change" (Note 2)

-Letter from John [M. Ward] to Rulan. 26.ii.66. Typescript, signed. Writing the possibility for the Department to offer a half course in Chinese music next year (Note 2)

-趙如蘭致林先生信函。三月五號。手稿(碳紙副本)。關於矮人祭及錄音事宜

-The Song of India in Connecticut. 1 sheet. Newspaper clipping (Note 2)

-Letter from Rulan Chao Pian to Robert H. Brown. March 1, 1966. Typescript (carbon copy). Informing the next year's schedule in the Music Dept at Harvard

-林宗源 (Lin Tsong-yuan) 致 T.H. Pian (卞趙如蘭) 郵簡。19/4。手稿。關於矮人祭及錄音事宜。郵戳日期:五四年四月二十 (Note 2)

-Letter from Robert E. Brown to Rulan Chao Pian. March 10, 1966. Typescript, signed. Wishing to keep in touch in any case (Note 2)

-Letter from Johannes Riedel to Rulan Chao Pian. 28 March 1966. Typescript, signed. Inviting to be a guest lecturer at the University of Minnesota as a part of the Guy Stanton Ford Memorial Lecture Series during the 1966-67 school year. Includes a letter from Rulan Chao Pian to Prof. Johannes Riedel. April 3, 1966. Typescript, signed (carbon copy) (Note 2)

-Music Resaerch and the Computer. State University of New York at Binghamton. HARPUR College. 1 sheet. Leaflet. Computer Seminar/August 1966. HARPUR/Music (Note 2)

-American Musicological Society Newsletter. William J. Mitchell. January, 1966. 1 sheet. Photocopy (Note 2)

-Letter from Rulan Chao Pian to Margaretta Fulton. April 3, 1966. Typescript, signed (carbon copy). Enquiring about the first instalment of the galley proof of the book

-Letter from Rulan to Paul E. O'Connell. April 3,1966. Typescript, signed (carbon copy). Enquiring about a mistake in correcting Mr. Malm's work on Chinese music

-Letter from Paul E. O'Connell to Chao Rulan Pian. November 4, 1965. Typescript, signed. Showing appreciation on the prompt review of Mr. Malm's chapter on East Asia and the suggestions for improvement. With duplicate copy. Duplicate copy without signature (Note 2)

-An envelope to Paul E. O'Connell. Typescript

-Letter from Rulan Chao Pian to Father Busch. April 5, 1966. Typescript, signed (carbon copy). Giving opinion on the Introduction to music by Father Kornfeld

-Letter from Barbara B. Smith to Rulan Chao Pian. 14 March 1967. Typescript, signed. Enquiring about the research projects engaged in (Note 2)

-Letter from Rulan Chao Pian to Lucrecia Kasilag. April 14, 1967. Typescript, signed (carbon copy). Finished the revision of the paper. With handwritten notes

-Letter from Rulan Chao Pian to Jane Alpert. September 29, 1967. Typescript (carbon copy). Showing appreciation on meeting Mr. Adamson and Mr. Black. Attached a letter from Jane Alpert to Professor Rulan Chao Pian. 27 September 1967. Typescript, signed. With handwritten notes

-Letter from Glen W. Baxter to Irmgard N. George. February 20, 1968. Typescript (carbon copy). Giving information on Bliss Wiant's The Music of China. Attached a letter from Irmgard N. George to Sirs. 16 February 1968. Typescript, signed (Note 2)

-Letter from Datus C. Smith to Rulan Chao Pian. August 23, 1968. Typescript, signed. Informing the misfiled letter (Note 2)

-Letter from Glen W. Baxter to Elliot Forbes. March 18, 1970. Typescript, signed (photocopy). Clarifying the purpose of the Harvard-Yenching Institute (Note 2)

-Letter from GWB to Forbes. Typescript, signed. Writing the possibility of sponsoring or assisting Miss Chang. With handwritten notes (Note 2)

-The Performing Arts Program of the Asia Society. Includes:
 1) Letter from John C. Pelzel to Beate Gordon. March 20, 1971. Typescript (photocopy). Thank you for the information in Chinese, Japanese and Korean performing groups sponsored by The Aisa Society in 1971-72 (Note 2)
 2) Letter from Beate Gordon to John C. Pelzel. March 18, 1971. Typescript, signed (photocopy). Informing the resumed activities by The Asia Society's Performing Arts Program (Note 2)
 3) Fact Sheet. 1 sheet. Typescript (photocopy). The Performing Arts Program of the Asia Society (Note 2)
 4) Edo Festival Music and Pantomime. October 5 - December 5, 1971. 1 sheet. Typescript (photocopy). The Performing Arts Program of the Asia Society (Note 2)
 5) P'ansori. February 1 - April 1, 1972. 2 sheets. Typescript (photocopy). The Performing Arts Program of the Asia Society (Note 2)
 6) Shantung Traditional Music. March 15 - May 15, 1972. 2 sheets. Typescript (photocopy). The Performing Arts Program of the Asia Society (Note 2)

-Letter from Willard Rhodes to Rulan Cho Pian. February 7, 1968. Typescript, signed. Enquiring about the availability of the paper, "Contributions of the Percussion Orchestra to Dramatic Structure in The Peking Opera." Attached a reply letter from Rulan Chao Pian to Professor Willard Rhodes. February 20, 1968. Typescript (carbon copy) (Note 2)

-Letter from Rulan Chao Pian to Lucrecia R.Kasilag. Nov. 11, 1968. Typescript, signed (carbon copy). Enquiring about publishing the manuscript of the lecture. Includes a sheet of Schedule of month on November. Typescript (mimeographed)

-Letter to Peter Burbridge. July 10, 1968. Typescript (carbon copy). Thank you for the encouragement. Attached a letter from Peter Burbridge to Dr Rulan Chao Pian. 27 May 1968. Typescript, signed (Note 2)

-Letter to Datus C. SmithJuly 10, 1968. Typescript (carbon copy). Giving comment on having books on Peking Opera. Attached a letter from Datus c. Smith, Jr. to Dr. Rulan Chao Pian. June 18, 1968. Typescript, signed (Note 1) (Note 2)

-Letter from R. Günther to Madam. May 25th, 1968. Typescript, signed (photocopy). Inviting to have the name entered in the "Tabula Gratulatoria" (Note 2)

-Letter from Jose Maceda to Rulan Chao Pian. March 21, 1969. Typescript, signed. Explaining the need to have the paper published. Attached a letter from Rulan Chao Pian to Mr. Jose Maceda. April 18, 1969. Typescript (carbon copy) (Note 2)

-Letter from Rulan Chao Pian to L.R. Kasilag. June 21, 1967. Typescript. Inquiring about receiving the manuscript of the paper

Dates

  • 1965-1972, undated

Language of Materials

Chiefly in English

Conditions Governing Access

Note 1: Contains personal data or sensitive information; access restricted

Conditions Governing Use

Note 2: Copyright restrictions may apply

Extent

1 file(s)

Creator

Repository Details

Part of the CUHK Library Archival Collections Repository

Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong