Y－Bell Yung, 1972-1979, 1982-1984, undated
File — Box: 13, Folder: 10
Identifier: 0039_PER_Pian_Series_1_Subseries_13_Folder_10
－Note from B to Pian. 1 card ; 8 x 13 cm. Holograph, signed (Note 2)
－陳若奚（i.e. 陳若曦）林懷民 Hwai Min. 1 sheet. Holograph
－Letter from Bell to Pian. Jan 29, 1977. 2 sheets. Holograph, signed. Tab: Bell Yung (Note 2)
－Bell reading. 1 sheet. Holograph
－Letter from Bell to Ward. January 27, 1977. Typescript (photocopy). Teaching experience at Cornell University (Note 2)
－Letter from Bell to Pian. Dec. 15, 1976. 3 sheets. Holograph, signed (Note 2)
－Letter from Bell to Pian. 2/14/77. 1 sheet. Holograph, signed (Note 2)
－上海音樂書店致榮鴻曾信函。1979年1月2 日。手稿1葉。關於郵費結餘 (Note 2)
－Letter from Bell to Pian. June 6, 1978. 1 sheet. Holograph, signed. On the job in Hong Kong (Note 2). Accompanied by:
1) Letter from Bell Yung to David Gwilt. June 6, 1978. 1 sheet. Typescript (photocopy). Accepting the appointment as Lecturer in Chinese Music at The Chinese University of Hong Kong. Also on housing accommodation and teaching duty (Note 2)
2) Letter from Bell to Harrison, Cheung. June 9, 1978. 1 sheet. Typescript, signed (photocopy). About courses to teach at Chinese University (Note 2)
－Letter from Iris to Bell. April 21, 1978. 1 sheet. Typescript, signed (carbon copy)
－Letter from Iris to Bell. March 7, 1978. 2 sheets. Typescript, signed (carbon copy). On teaching in Hong Kong and other matters
－Letter from Bell to Pian. 2/27/78. 1 sheet (2 unnumbered pages). Holograph, signed (Note 2)
－Letter from Iris to Bell. Feb 20 ’78. 1 sheet. Holograph, signed (carbon copy)
－Letter from Iris to Bell. Feb. 1978, 18. 1 sheet. Typescript, signed (carbon copy)
－Letter from Bell to Pian. Aug. 16, 1972. 1 sheet. Holograph, signed (Note 2)
－Southeast Asia film series, spring 1977. Cornell University Southeast Asia Program. 2 sheets. Typescript, with handwritten notes (photocopy) (Note 2)
－Choreographic and kinesthetic elements in the performance of the seven-string zither. Bell Yung. 18 sheets. Printout (Note 2)
－3 color photographs, kept in postcard folder with title: Goldfish = Poisson d’or = Pez dorado (Note 2). Includes:
1) Outdoor group photograph of David Gwilt, Law Ping Leung, Chan Wing Wah and 21 others. 9 x 12 cm. On back of photograph: NOV. 1976 (Note 2)
2) The Pian couple with 18 others. 8 x 12 cm. On back of photograph: SEP 76
3) The Pian couple and one other man. 8 x 8 cm. Polaroid instant photo
－Musical examples. Bell Yung. 3 sheets. Holograph, with typed text (photocopy). 5-line staff notation (Note 2)
－Letter from Bell to Pian. 84-10-17. 1 sheet. Holograph, signed (Note 2)
－Letter from Bell to Pian. October 12, 1984. 2 sheets. Printout, signed (Note 2)
－Untitled paper on the Shen Qi Mi Ou (The Fantastic and Secret Repertory). By Bell Yung. 12 sheets. Printout (photocopy). With handwritten corrections (Note 2)
－City revokes permit; developer to fight : 1564 Mass. Ave. By Jack Hayes. Cambridge (Mass.) chronicle, August 2, 1984, front page (Note 2)
－Abstract of “Unusual pitch material in a 15th century collection of zither notation from China” by Bell Yung. With handwritten message from Bell to Pian (Note 2)
－Letter from Bell to Pian. Feb 5, 1984. 1 sheet (2 unnumbered pages). Holograph, signed (Note 2)
－Letter from Bell to Pian. 83-11-3. 1 sheet. Printout, signed (Note 2)
－Letter from Bell to Pian. December 8, 1983. Typescript, signed. With handwritten postscript (Note 2)
－Letter from Bell to Pian. 83-10-26. 1 sheet. Holograph, signed. Accompanied by: A recital of ku-ch’in music (seven-string zither of China), Bell Yung. 1 sheet. “Tuesday October 25, 1983, 8 P.M.” With duplicate copy (Note 2)
－Letter from Bell to Pian. 1983-8-21. 2 sheets. Holograph, signed. On attending a conference in Taipei and meeting 明立國, 王秋桂, and 俞大緯 (Note 2)
－Letter from Bell to Pian. 1982.3.15. 1 sheet. Holograh, signed (Note 2)
－Letter from Bell to Pian. 83-5-12. 2 sheets. Holograph, signed. On meeting people in Hong Kong: Harrison Ryker, 呂炳川, 葉明媚, etc., Shanghai, and other matters (Note 1) (Note 2)
－Bell Yung’s summer itinerary for 1982. 1 sheet. Typescript, with handwritten Chinese (photocopy). With handwritten message from Bell to Pian (Note 2)
－Letter from Bell to Pian. 82-6-2. 2 sheets. Holograph, signed. On learning qin pieces in 神奇密譜 from 姚丙炎, and the translation by 陳應時 (Note 2)
－Letter from Bell to Pian. 1982-6-12. 3 sheets. Holograph, signed. On meeting people in Shanghai, learning from 姚丙炎, the translation by 陳應時, former student Larry Witzleben（韋慈朋）and other matters (Note 2)
－Letter from Bell to Pian. 1 sheet. Holograph, signed. On the article read in Chicago last weekend (Note 2)
－Letter from Bell to Pian. 1982.7.15. 1 sheet. Holograph, signed. On 李祥霆 and other matters (Note 2)
－Letter from Rulan Chao Pian to Wallace Berry. Jan. 6, 1982. 2 sheets. Typescript, signed (carbon copy). Regarding Bell Yung (Note 1)
－Letter from Bell to Pian. December 22, 1982. 1 sheet. Typescript, signed. On the letter to UBC, Harold Shadick, Chinoperl, HK Academy of Performing Arts, William Watson, and other matters (Note 2)
－Letter from Bell to Pian. December 1, 1982. 3 sheets. Typescript, signed. On career prospect, recent publications and research, Chan Sau-yan, videotapes kept at Chinese University, Lu and Yip, students from Chinese University, and other matters (Note 1) (Note 2)
－Letter from Iris to Bell. Nov. 22, 1982. 2 sheets. Typescript, signed (carbon copy). With handwritten markings. On publication commitment of Harvard University Department of Music, seeing a doctor who happened to be the younger brother of Vee Lin (wife of Richard Edwards, classmate of Pian in the 1950’s), the talk on “The King’s Farewell” for the American Consulate (proposed by Dick Elliott, a former officer of the American Consulate and Pian’s Chinese language student in the 1950’s), a dinner talk at New Asia College, Vancouver, preparedness in attending meetings, and other matters
－Letter from Bell to Pian. November 15, 1982. 1 sheet. Typescript, signed. On the SEM conference, publishing, Vancouver, and other matters (Note 2)
－Note from Bell to Pian. 82-4-23. 1 sheet. Holograph, signed. With notes by the recipient (Note 2)
－Letter from Iris to Bell. Nov. 21. 1982. 3 sheets. Typescript, signed (carbon copy). With handwritten notes. On the Hong Kong Academy of Performing Arts, Wesleyan, UBC, Pittsburgh, bronchitis, people associated with the Chinese Music Archive (Benny, Lu, Yip, etc.), videotapes, and other matters (Note 1)
－Letter from Bell to Pian. November 10, 1982. 1 sheet. Typescript, signed. With handwritten postscript. On the Hong Kong Academy of Performing Arts (Note 1) (Note 2)
－Letter from Iris to Bell. Nov. 14. 82. 2 sheets. Holograph, signed (carbon copy)
－Letter from Iris to Bell. Oct. 22, 1982. 1 sheet. Holograph, signed (carbon copy). A day in Hong Kong, att
－Letter from Iris to Bell. Oct 19, 1982. 2 sheets. Typescript, signed (carbon copy). On Canta and her husband’s visit to Hong Kong, Bell’s tenure at Pittsburgh, Lu Pin-chuan’s proposed trip of Chinese University Music Department to Taiwan, Yip Ming-mei, and other matters (Note 1)
－Letter from Bell to Pian. October 12, 1982. 1 sheet. Typescript, signed (Note 2)
－Ch’en tzu in Cantonese opera—musical examples. 2 sheets. Holograph, with typed text (photocopy). 5-line staff notation. Lyrics in Chinese, Romanized text and English translation. With handwritten notes on verso of sheet 2 (Note 2)
－Ch’en-tzu (padding syllables) in Cantonese opera : a musical consideration. By Bell Yung. 25 sheets. Printout. “Old version” (Note 2)
－Letter from Bell to Rulan Pian. 5 March 1982. 2 sheets. Printout, signed. With handwritten postscripts and notes (Note 2)
－Speech on ethnomusicology given by Bell Yung to university administrators. 6 sheets. Printout. With handwritten message from Bell to Pian, dated: 82-4-8 (Note 2)
－Music in traditional Chinese theater. By Bell Yung. 3 sheets. Printout (Note 2)
－Letter from Bell to Pian. September 6, 1982. 1 sheet (2 unnumbered pages). Typescript, signed. On the seven weeks in Shanghai, the Durham Oriental Music Festival, courses in Pittsburgh, Larry Witzleben, Terrence Liu, and other matters (Note 2)
－Letter from Iris to Bell. Oct. 4, 1982. 1 sheet (2 unnumbered pages). Typescript, with handwritten additions, signed (carbon copy)
－Letter from Bell to Pian. 83/9/12. 1 sheet. Typescript (Note 2). Accompanied by:
1) Memo from Bell Yung to faculty and graduate students of the Music Department. July 21, 1983. 1 sheet. Printout (photocopy). Subject: Musicological Study Group (Note 2)
2) Memo from Bell Yung. September 08, 1983. 1 sheet. Typescript (carbon copy). Subject: Musicological Study Group. Stapled with list of Musicological Study Group lectures for the September 16-December 2, 1983 (1 sheet) (Note 2)
－Letter from Bell to Pian. October 16, 1983. 1 sheet. Typescript (Note 2)
－Letter from Iris to Bell. Oct 27, 1983. 2 sheets. Typescript, signed (carbon copy). Comments on the draft of a book by Bell Yung
－Outline of a book on the creative process of Cantonese opera. By Bell Yung. 5 sheets. Printout. With handwritten corrections (Note 2)
－Letter from Bell to Pian. November 3, 1984. 1 sheet. Printout. On Andrew Miller (Note 1) (Note 2)
－Letter from Bell Yung to Rulan Chao Pian. April 14, 1982. Typescript, signed. On purchasing copies of videotapes from Rulan Chao Pian’s collection for University of Pittsburgh (Note 2)
－Letter from Iris to Bell. December 20, 1982. 3 sheets. Holograph, signed (carbon copy)
－Letter from Bell to Pian. June 11, 1979. 1 sheet. Typescript, signed. On the immigration office at San Francisco airport, writing to Senator Javits’s office in Buffalo, Conal, Eleanor, and other matter (Note 2)
－與粵曲博士榮鴻曾談粵劇。朱瑞冰。《音樂生活》no. 177, 1979, 頁34-35。With duplicate copies (Note 2)
－Letter from Rulan Chao Pian to Eugene Troth. March 4, 1979. 2 sheets. Typescript, signed (carbon copy). On Bell Yung (Note 1)
－Letter from Bell to Pian. Jan 12, 1979. 2 sheets. Holograph, signed. On Music Department, Chinese University, lessons with 蔡德允, a Chung Chi assembly talk on Cantonese opera with 李寳瑩 and 羅家英, and other matters. With notes by the mail receiver on verso of sheet 1 (Note 1) (Note 2)
－Letter from Bell to Pian. 1 aerogramme. Holograph, signed. Postmark dated: 29 AUG 1978. Teaching duties at Chinese University, housing, and other matters (Note 2)
－Letter to Bell. 8/16, 1978. 1 sheet (2 unnumbered pages). Typescript (carbon copy). On Cheung Sai-bung（張世彬）and the study of Chinese music
－Letter from Iris to Bell. 8/19/78. 1 sheet. Holograph, signed (carbon copy)
－Letter to Pian. July 15, 1978. 2 sheets. Typescript. With handwritten notes and Chinese characters (Note 2)
－Letter from Bell to Pian. 2 viii 78. 3 sheets. Holograph, signed. On the death of Cheung Sai-bung（張世彬）, meeting people , like David Gwilt, etc., upon arrival at the Chinese University, the Chinese music section of the Music Department, and other matters (Note 1) (Note 2)
－Letter from Bell to Pian. 4/21/77. 3 sheets. Holograph, signed (Note 2)
－Letter from Iris to Bell. Aug 27. 1 sheet. Holograph, signed (carbon copy). On viewing a play 《長白山上》, the planned trip to Peking and the people to meet, and other matters
－Letter from Rulan Chao Pian to David Gwilt. March 30, 1978. 1 sheet. Typescript, signed (carbon copy). On Bell Yung (Note 1)
－Letter from David Gwilt to Rulan Chao Pian. 20th March, 1978. 1 aerogramme. Typescript, signed. For a reference for Bell Yung (Note 2)
－Letter from Bell to Pian. 8 viii 78. 1 aerogramme. Holograph, signed. On 呂炳川, memorial concert for 張世彬, and the building for the Chinese Music Archive (Note 2)
－Letter to Bell. 10/24, 78. 1 sheet. Typescript (carbon copy)
－Letter from Rulan Chao Pian to Marie Louise Martinez-G ö llner. January 11, 1978. 1 sheet. Typescript (carbon copy). On Bell Yung (Note 1)
－Letter from Rulan Chao Pian to Daniel J. Patrylak. January 11, 1978. 1 sheet. Typescript (carbon copy). On Bell Yung (Note 1)
－Letter from Rulan Chao Pian to Frank J. Gillis. January 11, 1978. 1 sheet. Typescript (carbon copy). On Bell Yung (Note 1)
－Letter from Iris to Bell. July 18, 1978. 1 sheet. Typescript, with handwritten additions, signed (carbon copy)
－Letter to Bell. July 12, 1978. 5 sheets. Typescript (carbon copy). On “facts” and “ideas” in musicology, taking a chyn（琴）to Hong Kong for fixing, people with the Music Department, Chinese University (like Cheung Sai-bung（張世彬）, Tong Kin-woon（唐健垣）, Harrison Ryker, David Gwilt, Bekkong, and other matters (Note 1)
－Letter to Bell. June 25, 1978. 1 sheet (incomplete). Typescript. With handwritten notes. Includes handwritten notes on “Facts vs. ideas” on both sides of the sheet
－Letter to Bell. June 28, 1978. 1 sheet. Typescript
－Letter from Bell to Pian. June 13, 1978. 2 sheets. Typescript, signed. With handwritten corrections. On Conal Boyce, and the issue of “specialists” and “generalists” (Note 2)
－Letter to Bell. 1 sheet (2 unnumbered pages). Typescript. On the specialist and the generalist, and other matters
－陳若奚（i.e. 陳若曦）林懷民 Hwai Min. 1 sheet. Holograph
－Letter from Bell to Pian. Jan 29, 1977. 2 sheets. Holograph, signed. Tab: Bell Yung (Note 2)
－Bell reading. 1 sheet. Holograph
－Letter from Bell to Ward. January 27, 1977. Typescript (photocopy). Teaching experience at Cornell University (Note 2)
－Letter from Bell to Pian. Dec. 15, 1976. 3 sheets. Holograph, signed (Note 2)
－Letter from Bell to Pian. 2/14/77. 1 sheet. Holograph, signed (Note 2)
－上海音樂書店致榮鴻曾信函。1979年1月2 日。手稿1葉。關於郵費結餘 (Note 2)
－Letter from Bell to Pian. June 6, 1978. 1 sheet. Holograph, signed. On the job in Hong Kong (Note 2). Accompanied by:
1) Letter from Bell Yung to David Gwilt. June 6, 1978. 1 sheet. Typescript (photocopy). Accepting the appointment as Lecturer in Chinese Music at The Chinese University of Hong Kong. Also on housing accommodation and teaching duty (Note 2)
2) Letter from Bell to Harrison, Cheung. June 9, 1978. 1 sheet. Typescript, signed (photocopy). About courses to teach at Chinese University (Note 2)
－Letter from Iris to Bell. April 21, 1978. 1 sheet. Typescript, signed (carbon copy)
－Letter from Iris to Bell. March 7, 1978. 2 sheets. Typescript, signed (carbon copy). On teaching in Hong Kong and other matters
－Letter from Bell to Pian. 2/27/78. 1 sheet (2 unnumbered pages). Holograph, signed (Note 2)
－Letter from Iris to Bell. Feb 20 ’78. 1 sheet. Holograph, signed (carbon copy)
－Letter from Iris to Bell. Feb. 1978, 18. 1 sheet. Typescript, signed (carbon copy)
－Letter from Bell to Pian. Aug. 16, 1972. 1 sheet. Holograph, signed (Note 2)
－Southeast Asia film series, spring 1977. Cornell University Southeast Asia Program. 2 sheets. Typescript, with handwritten notes (photocopy) (Note 2)
－Choreographic and kinesthetic elements in the performance of the seven-string zither. Bell Yung. 18 sheets. Printout (Note 2)
－3 color photographs, kept in postcard folder with title: Goldfish = Poisson d’or = Pez dorado (Note 2). Includes:
1) Outdoor group photograph of David Gwilt, Law Ping Leung, Chan Wing Wah and 21 others. 9 x 12 cm. On back of photograph: NOV. 1976 (Note 2)
2) The Pian couple with 18 others. 8 x 12 cm. On back of photograph: SEP 76
3) The Pian couple and one other man. 8 x 8 cm. Polaroid instant photo
－Musical examples. Bell Yung. 3 sheets. Holograph, with typed text (photocopy). 5-line staff notation (Note 2)
－Letter from Bell to Pian. 84-10-17. 1 sheet. Holograph, signed (Note 2)
－Letter from Bell to Pian. October 12, 1984. 2 sheets. Printout, signed (Note 2)
－Untitled paper on the Shen Qi Mi Ou (The Fantastic and Secret Repertory). By Bell Yung. 12 sheets. Printout (photocopy). With handwritten corrections (Note 2)
－City revokes permit; developer to fight : 1564 Mass. Ave. By Jack Hayes. Cambridge (Mass.) chronicle, August 2, 1984, front page (Note 2)
－Abstract of “Unusual pitch material in a 15th century collection of zither notation from China” by Bell Yung. With handwritten message from Bell to Pian (Note 2)
－Letter from Bell to Pian. Feb 5, 1984. 1 sheet (2 unnumbered pages). Holograph, signed (Note 2)
－Letter from Bell to Pian. 83-11-3. 1 sheet. Printout, signed (Note 2)
－Letter from Bell to Pian. December 8, 1983. Typescript, signed. With handwritten postscript (Note 2)
－Letter from Bell to Pian. 83-10-26. 1 sheet. Holograph, signed. Accompanied by: A recital of ku-ch’in music (seven-string zither of China), Bell Yung. 1 sheet. “Tuesday October 25, 1983, 8 P.M.” With duplicate copy (Note 2)
－Letter from Bell to Pian. 1983-8-21. 2 sheets. Holograph, signed. On attending a conference in Taipei and meeting 明立國, 王秋桂, and 俞大緯 (Note 2)
－Letter from Bell to Pian. 1982.3.15. 1 sheet. Holograh, signed (Note 2)
－Letter from Bell to Pian. 83-5-12. 2 sheets. Holograph, signed. On meeting people in Hong Kong: Harrison Ryker, 呂炳川, 葉明媚, etc., Shanghai, and other matters (Note 1) (Note 2)
－Bell Yung’s summer itinerary for 1982. 1 sheet. Typescript, with handwritten Chinese (photocopy). With handwritten message from Bell to Pian (Note 2)
－Letter from Bell to Pian. 82-6-2. 2 sheets. Holograph, signed. On learning qin pieces in 神奇密譜 from 姚丙炎, and the translation by 陳應時 (Note 2)
－Letter from Bell to Pian. 1982-6-12. 3 sheets. Holograph, signed. On meeting people in Shanghai, learning from 姚丙炎, the translation by 陳應時, former student Larry Witzleben（韋慈朋）and other matters (Note 2)
－Letter from Bell to Pian. 1 sheet. Holograph, signed. On the article read in Chicago last weekend (Note 2)
－Letter from Bell to Pian. 1982.7.15. 1 sheet. Holograph, signed. On 李祥霆 and other matters (Note 2)
－Letter from Rulan Chao Pian to Wallace Berry. Jan. 6, 1982. 2 sheets. Typescript, signed (carbon copy). Regarding Bell Yung (Note 1)
－Letter from Bell to Pian. December 22, 1982. 1 sheet. Typescript, signed. On the letter to UBC, Harold Shadick, Chinoperl, HK Academy of Performing Arts, William Watson, and other matters (Note 2)
－Letter from Bell to Pian. December 1, 1982. 3 sheets. Typescript, signed. On career prospect, recent publications and research, Chan Sau-yan, videotapes kept at Chinese University, Lu and Yip, students from Chinese University, and other matters (Note 1) (Note 2)
－Letter from Iris to Bell. Nov. 22, 1982. 2 sheets. Typescript, signed (carbon copy). With handwritten markings. On publication commitment of Harvard University Department of Music, seeing a doctor who happened to be the younger brother of Vee Lin (wife of Richard Edwards, classmate of Pian in the 1950’s), the talk on “The King’s Farewell” for the American Consulate (proposed by Dick Elliott, a former officer of the American Consulate and Pian’s Chinese language student in the 1950’s), a dinner talk at New Asia College, Vancouver, preparedness in attending meetings, and other matters
－Letter from Bell to Pian. November 15, 1982. 1 sheet. Typescript, signed. On the SEM conference, publishing, Vancouver, and other matters (Note 2)
－Note from Bell to Pian. 82-4-23. 1 sheet. Holograph, signed. With notes by the recipient (Note 2)
－Letter from Iris to Bell. Nov. 21. 1982. 3 sheets. Typescript, signed (carbon copy). With handwritten notes. On the Hong Kong Academy of Performing Arts, Wesleyan, UBC, Pittsburgh, bronchitis, people associated with the Chinese Music Archive (Benny, Lu, Yip, etc.), videotapes, and other matters (Note 1)
－Letter from Bell to Pian. November 10, 1982. 1 sheet. Typescript, signed. With handwritten postscript. On the Hong Kong Academy of Performing Arts (Note 1) (Note 2)
－Letter from Iris to Bell. Nov. 14. 82. 2 sheets. Holograph, signed (carbon copy)
－Letter from Iris to Bell. Oct. 22, 1982. 1 sheet. Holograph, signed (carbon copy). A day in Hong Kong, att
－Letter from Iris to Bell. Oct 19, 1982. 2 sheets. Typescript, signed (carbon copy). On Canta and her husband’s visit to Hong Kong, Bell’s tenure at Pittsburgh, Lu Pin-chuan’s proposed trip of Chinese University Music Department to Taiwan, Yip Ming-mei, and other matters (Note 1)
－Letter from Bell to Pian. October 12, 1982. 1 sheet. Typescript, signed (Note 2)
－Ch’en tzu in Cantonese opera—musical examples. 2 sheets. Holograph, with typed text (photocopy). 5-line staff notation. Lyrics in Chinese, Romanized text and English translation. With handwritten notes on verso of sheet 2 (Note 2)
－Ch’en-tzu (padding syllables) in Cantonese opera : a musical consideration. By Bell Yung. 25 sheets. Printout. “Old version” (Note 2)
－Letter from Bell to Rulan Pian. 5 March 1982. 2 sheets. Printout, signed. With handwritten postscripts and notes (Note 2)
－Speech on ethnomusicology given by Bell Yung to university administrators. 6 sheets. Printout. With handwritten message from Bell to Pian, dated: 82-4-8 (Note 2)
－Music in traditional Chinese theater. By Bell Yung. 3 sheets. Printout (Note 2)
－Letter from Bell to Pian. September 6, 1982. 1 sheet (2 unnumbered pages). Typescript, signed. On the seven weeks in Shanghai, the Durham Oriental Music Festival, courses in Pittsburgh, Larry Witzleben, Terrence Liu, and other matters (Note 2)
－Letter from Iris to Bell. Oct. 4, 1982. 1 sheet (2 unnumbered pages). Typescript, with handwritten additions, signed (carbon copy)
－Letter from Bell to Pian. 83/9/12. 1 sheet. Typescript (Note 2). Accompanied by:
1) Memo from Bell Yung to faculty and graduate students of the Music Department. July 21, 1983. 1 sheet. Printout (photocopy). Subject: Musicological Study Group (Note 2)
2) Memo from Bell Yung. September 08, 1983. 1 sheet. Typescript (carbon copy). Subject: Musicological Study Group. Stapled with list of Musicological Study Group lectures for the September 16-December 2, 1983 (1 sheet) (Note 2)
－Letter from Bell to Pian. October 16, 1983. 1 sheet. Typescript (Note 2)
－Letter from Iris to Bell. Oct 27, 1983. 2 sheets. Typescript, signed (carbon copy). Comments on the draft of a book by Bell Yung
－Outline of a book on the creative process of Cantonese opera. By Bell Yung. 5 sheets. Printout. With handwritten corrections (Note 2)
－Letter from Bell to Pian. November 3, 1984. 1 sheet. Printout. On Andrew Miller (Note 1) (Note 2)
－Letter from Bell Yung to Rulan Chao Pian. April 14, 1982. Typescript, signed. On purchasing copies of videotapes from Rulan Chao Pian’s collection for University of Pittsburgh (Note 2)
－Letter from Iris to Bell. December 20, 1982. 3 sheets. Holograph, signed (carbon copy)
－Letter from Bell to Pian. June 11, 1979. 1 sheet. Typescript, signed. On the immigration office at San Francisco airport, writing to Senator Javits’s office in Buffalo, Conal, Eleanor, and other matter (Note 2)
－與粵曲博士榮鴻曾談粵劇。朱瑞冰。《音樂生活》no. 177, 1979, 頁34-35。With duplicate copies (Note 2)
－Letter from Rulan Chao Pian to Eugene Troth. March 4, 1979. 2 sheets. Typescript, signed (carbon copy). On Bell Yung (Note 1)
－Letter from Bell to Pian. Jan 12, 1979. 2 sheets. Holograph, signed. On Music Department, Chinese University, lessons with 蔡德允, a Chung Chi assembly talk on Cantonese opera with 李寳瑩 and 羅家英, and other matters. With notes by the mail receiver on verso of sheet 1 (Note 1) (Note 2)
－Letter from Bell to Pian. 1 aerogramme. Holograph, signed. Postmark dated: 29 AUG 1978. Teaching duties at Chinese University, housing, and other matters (Note 2)
－Letter to Bell. 8/16, 1978. 1 sheet (2 unnumbered pages). Typescript (carbon copy). On Cheung Sai-bung（張世彬）and the study of Chinese music
－Letter from Iris to Bell. 8/19/78. 1 sheet. Holograph, signed (carbon copy)
－Letter to Pian. July 15, 1978. 2 sheets. Typescript. With handwritten notes and Chinese characters (Note 2)
－Letter from Bell to Pian. 2 viii 78. 3 sheets. Holograph, signed. On the death of Cheung Sai-bung（張世彬）, meeting people , like David Gwilt, etc., upon arrival at the Chinese University, the Chinese music section of the Music Department, and other matters (Note 1) (Note 2)
－Letter from Bell to Pian. 4/21/77. 3 sheets. Holograph, signed (Note 2)
－Letter from Iris to Bell. Aug 27. 1 sheet. Holograph, signed (carbon copy). On viewing a play 《長白山上》, the planned trip to Peking and the people to meet, and other matters
－Letter from Rulan Chao Pian to David Gwilt. March 30, 1978. 1 sheet. Typescript, signed (carbon copy). On Bell Yung (Note 1)
－Letter from David Gwilt to Rulan Chao Pian. 20th March, 1978. 1 aerogramme. Typescript, signed. For a reference for Bell Yung (Note 2)
－Letter from Bell to Pian. 8 viii 78. 1 aerogramme. Holograph, signed. On 呂炳川, memorial concert for 張世彬, and the building for the Chinese Music Archive (Note 2)
－Letter to Bell. 10/24, 78. 1 sheet. Typescript (carbon copy)
－Letter from Rulan Chao Pian to Marie Louise Martinez-G ö llner. January 11, 1978. 1 sheet. Typescript (carbon copy). On Bell Yung (Note 1)
－Letter from Rulan Chao Pian to Daniel J. Patrylak. January 11, 1978. 1 sheet. Typescript (carbon copy). On Bell Yung (Note 1)
－Letter from Rulan Chao Pian to Frank J. Gillis. January 11, 1978. 1 sheet. Typescript (carbon copy). On Bell Yung (Note 1)
－Letter from Iris to Bell. July 18, 1978. 1 sheet. Typescript, with handwritten additions, signed (carbon copy)
－Letter to Bell. July 12, 1978. 5 sheets. Typescript (carbon copy). On “facts” and “ideas” in musicology, taking a chyn（琴）to Hong Kong for fixing, people with the Music Department, Chinese University (like Cheung Sai-bung（張世彬）, Tong Kin-woon（唐健垣）, Harrison Ryker, David Gwilt, Bekkong, and other matters (Note 1)
－Letter to Bell. June 25, 1978. 1 sheet (incomplete). Typescript. With handwritten notes. Includes handwritten notes on “Facts vs. ideas” on both sides of the sheet
－Letter to Bell. June 28, 1978. 1 sheet. Typescript
－Letter from Bell to Pian. June 13, 1978. 2 sheets. Typescript, signed. With handwritten corrections. On Conal Boyce, and the issue of “specialists” and “generalists” (Note 2)
－Letter to Bell. 1 sheet (2 unnumbered pages). Typescript. On the specialist and the generalist, and other matters
Dates
- 1972-1979, 1982-1984, undated
Language of Materials
Chiefly in English
Conditions Governing Access
Note 1: Contains personal data or sensitive information; access restricted
Conditions Governing Use
Note 2: Copyright restrictions may apply
Extent
1 file(s)
Creator
- From the Fonds: Pian, Rulan Chao, 1922-2013 (Creator, Person)
Repository Details
Part of the CUHK Library Archival Collections Repository
Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk