No separator－Untitled folder, 1984-1986, 1988, undated
File — Box: 12, Folder: 1
Identifier: 0039_PER_Pian_Series_1_Subseries_12_Folder_1
－Letter from Barbara Boudreau to Pian. October 23, 1988. Typescript, signed. About an embroidery as a gift for a friend. With 2 pictures (Note 2)
－”Only the superior man understands music.” ~~ Confucius. Typescript
－小說選刊。Xiaoshuoxuankan。中國作家協會主辦。一九八六年第五期總第六十七期。“趙如蘭惠存。學生白曉冬。一九八六年” (Note 2)
－Berlin meeting of 1985–June 6–10. It includes:
1) International Symposion “National music cultures and intercultural dependencies” with special reference to the region of East Asia. Berlin. June 5–9, 1985. Programme (Note 2)
2) Letter from Rulan Chao Pian to Wolfgang Burde. Sept 29,1984. Typescript (carbon copy). In reply to the letter of Sept 4. Acceptance of the invitation for the symposium and suggestions of other possible speakers
3) International institute for comparative music studies and documentation. National music cultures and intercultural dependencies. With special reference to the region of East Asia. Berlin, June 5–9, 1985. Tentative schedule. With handwritten notes (Note 2)
4) Letter from Wolfgang Burde to Rulan Chao Pian. 4 September 1984. Typescript, signed. Invitation to hold a key lecture on the music culture of China at the symposium in Berlin (West) between June 6 and 9, 1985 on “National music cultures and intercultural dependencies.” With duplicate copy (with handwritten notes) (Note 2)
5) Einseitigkeit und Gegenseitigkeit in Japans Verhältnis zu China. By Robert Günther. Abstract (Note 2)
6) Western Union Mailgram. 05/21/85. “Replay promptly thether you participate in Berlin symposion.” 05/21/85. With handwritten notes by R.C. Pian.
7) Envelop of Internationales institut für vergleichende musikstudien Berlin to Rulan Chao Pian. 6.5.85
8) Itinerary and forwarding addresses for Rulan C. Pian
9) Postcard. Hotel Sylter Hof (Note 2)
10) Letter from Heinz-Dieter Reese to Pian. May 6th, 1985. Typescript, signed. Sending her the official programme of the Symposion in June. Requesting for the manuscript of her presentation or at least an abstract (Note 2)
11) International institute for comparative music studies and documentation. National music cultures and intercultural dependencies. With special reference to the region of East Asia. Berlin, June 5–9, 1985. One of the key questions arises when approaching a foreign music culture. With handwritten notes (Note 2)
12) Western Union Mailgram. 05/22/85. About her arrival at Berlin-Tegel
－Flights schedule between 4 Jun to 15 Aug. With duplicate copy
－Letter from Rulan Chao Pian. Feb.3,1986. Typescript, signed. About the cost of her flight tickets
－Travel grant payment form. Rulan Chao Pian
－Letter from Christina M. Gillis to Rulan Chao Pian. February 14, 1985. Typescript, signed. Request for informing the American Council of Learned Societies about the whether or not Pian intended to accept the travel grant offered (Note 2)
－Letter from Rulan Chao Pian to Christina M. Gillis. Feb. 3, 1986. Typescript, signed. About the reimbursement for the travelling expenses for the Berlin meeting in June 1985
－Letter from Heinz-Dieter Reese to Rulan Chao Pian. January 4, 1985. Typescript, signed. Enclosing a more detailed programme of the symposium and request for a her paper by the end of April (Note 2)
－Letter from Rulan Chao Pian to Heinz-Dieter Reese. May 15, 1985. Typescript. Sending out a copy of her paper, about details of her itinerary and the expense of the flight tickets
－Berlin 1985 June 5–9. It includes:
1) The use of Chinese thematic material in the music and performing arts of Japan. Hirano Kenji; Watanabe Tomoya. June 7th 1985. Presented at International symposium “National music cultures and intercultural dependencies” with special reference to the region of East Asia. Berlin. Text. With handwritten notes (Note 2)
2) Chinese Influences on Kin-gaku (Ch’in Music) and Koto Music in Japan. By Yoko Mitani. Examples of ch’in music and Tsukushi-goto in jianjipu, 5-line staff notation (Note 2)
3) The historical interdependency in the guqin music of China. By Bell Yung. Text (Note 2)
4) The principle of ‘extension’ in Chinese sizhu and other East Asian traditions. By Alan R. Thrasher. Abstract and handout (with handwritten notes) (Note 2)
－2 postcards. Berlin (Note 2)
－”Only the superior man understands music.” ~~ Confucius. Typescript
－小說選刊。Xiaoshuoxuankan。中國作家協會主辦。一九八六年第五期總第六十七期。“趙如蘭惠存。學生白曉冬。一九八六年” (Note 2)
－Berlin meeting of 1985–June 6–10. It includes:
1) International Symposion “National music cultures and intercultural dependencies” with special reference to the region of East Asia. Berlin. June 5–9, 1985. Programme (Note 2)
2) Letter from Rulan Chao Pian to Wolfgang Burde. Sept 29,1984. Typescript (carbon copy). In reply to the letter of Sept 4. Acceptance of the invitation for the symposium and suggestions of other possible speakers
3) International institute for comparative music studies and documentation. National music cultures and intercultural dependencies. With special reference to the region of East Asia. Berlin, June 5–9, 1985. Tentative schedule. With handwritten notes (Note 2)
4) Letter from Wolfgang Burde to Rulan Chao Pian. 4 September 1984. Typescript, signed. Invitation to hold a key lecture on the music culture of China at the symposium in Berlin (West) between June 6 and 9, 1985 on “National music cultures and intercultural dependencies.” With duplicate copy (with handwritten notes) (Note 2)
5) Einseitigkeit und Gegenseitigkeit in Japans Verhältnis zu China. By Robert Günther. Abstract (Note 2)
6) Western Union Mailgram. 05/21/85. “Replay promptly thether you participate in Berlin symposion.” 05/21/85. With handwritten notes by R.C. Pian.
7) Envelop of Internationales institut für vergleichende musikstudien Berlin to Rulan Chao Pian. 6.5.85
8) Itinerary and forwarding addresses for Rulan C. Pian
9) Postcard. Hotel Sylter Hof (Note 2)
10) Letter from Heinz-Dieter Reese to Pian. May 6th, 1985. Typescript, signed. Sending her the official programme of the Symposion in June. Requesting for the manuscript of her presentation or at least an abstract (Note 2)
11) International institute for comparative music studies and documentation. National music cultures and intercultural dependencies. With special reference to the region of East Asia. Berlin, June 5–9, 1985. One of the key questions arises when approaching a foreign music culture. With handwritten notes (Note 2)
12) Western Union Mailgram. 05/22/85. About her arrival at Berlin-Tegel
－Flights schedule between 4 Jun to 15 Aug. With duplicate copy
－Letter from Rulan Chao Pian. Feb.3,1986. Typescript, signed. About the cost of her flight tickets
－Travel grant payment form. Rulan Chao Pian
－Letter from Christina M. Gillis to Rulan Chao Pian. February 14, 1985. Typescript, signed. Request for informing the American Council of Learned Societies about the whether or not Pian intended to accept the travel grant offered (Note 2)
－Letter from Rulan Chao Pian to Christina M. Gillis. Feb. 3, 1986. Typescript, signed. About the reimbursement for the travelling expenses for the Berlin meeting in June 1985
－Letter from Heinz-Dieter Reese to Rulan Chao Pian. January 4, 1985. Typescript, signed. Enclosing a more detailed programme of the symposium and request for a her paper by the end of April (Note 2)
－Letter from Rulan Chao Pian to Heinz-Dieter Reese. May 15, 1985. Typescript. Sending out a copy of her paper, about details of her itinerary and the expense of the flight tickets
－Berlin 1985 June 5–9. It includes:
1) The use of Chinese thematic material in the music and performing arts of Japan. Hirano Kenji; Watanabe Tomoya. June 7th 1985. Presented at International symposium “National music cultures and intercultural dependencies” with special reference to the region of East Asia. Berlin. Text. With handwritten notes (Note 2)
2) Chinese Influences on Kin-gaku (Ch’in Music) and Koto Music in Japan. By Yoko Mitani. Examples of ch’in music and Tsukushi-goto in jianjipu, 5-line staff notation (Note 2)
3) The historical interdependency in the guqin music of China. By Bell Yung. Text (Note 2)
4) The principle of ‘extension’ in Chinese sizhu and other East Asian traditions. By Alan R. Thrasher. Abstract and handout (with handwritten notes) (Note 2)
－2 postcards. Berlin (Note 2)
Dates
- 1984-1986, 1988, undated
Language of Materials
English
Conditions Governing Access
Note 1: Contains personal data or sensitive information; access restricted
Conditions Governing Use
Note 2: Copyright restrictions may apply
Extent
1 file(s)
Creator
- From the Fonds: Pian, Rulan Chao, 1922-2013 (Creator, Person)
Repository Details
Part of the CUHK Library Archival Collections Repository
Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk