Seminar on Music 185 Ethnomusicology－讀過的文章, 1952, 1980, undated
File — Box: 8, Folder: 60
Identifier: 0039_PER_Pian_Series_1_Subseries_8_Folder_60
－2. Problems of terminology. 5 sheets (pages 9-16) (photocopy) (Note 2)
－”Semiological” patterns. 1 sheet. Typescript (photocopy). With handwritten notes (Note 2)
－2 pages on Umberto Eco’s sign-function. 1 sheet (pages 120-121) (photocopy). With handwritten notes (Note 2)
－2 pages on interpretation. 1 sheet (pages 14-15) (photocopy) (Note 2)
－2 pages from “Le mythe, aujourd’hui.” 1 sheet (pages 222-223) (photocopy) (Note 2)
－Music 185. Topics in Ethnomusicology. Fall Term 1980. Reading Assignment 4. Listening Assignment 4. Typescript (photocopy). With handwritten notes on page verso (Note 2)
－The bourgeois art of song. 2 sheets (pages 119-121) (photocopy) (Note 2)
－Descriptive techniques in musicology. 1 sheet (pages 366-367) (photocopy). “1952” (Note 2)
－The Highland Clearances (pamphlet published by the Gaelic Society of Scotland). 3 sheets (pages 2-7) (photocopy) (Note 2)
－What is folk art? 4 sheets (cover, pages [1]-3) (photocopy). “Museum of New Mexico. International Folk Art Division. News kit” (Note 2)
－Jeannie Robertson’s My Son David : a conceptual performance model. By James Porter. 1 volume (pages [7]-26) (photocopy). With handwritten notes (Note 2)
－Classes of variable affecting folklore performance. By Charles W. Joyner. 1 sheet (page 258) (photocopy) (Note 2)
－Conceptual performance model. By James Porter. 1 sheet (page 16) (photocopy) (Note 2)
－”Semiological” patterns. 1 sheet. Typescript (photocopy). With handwritten notes (Note 2)
－2 pages on Umberto Eco’s sign-function. 1 sheet (pages 120-121) (photocopy). With handwritten notes (Note 2)
－2 pages on interpretation. 1 sheet (pages 14-15) (photocopy) (Note 2)
－2 pages from “Le mythe, aujourd’hui.” 1 sheet (pages 222-223) (photocopy) (Note 2)
－Music 185. Topics in Ethnomusicology. Fall Term 1980. Reading Assignment 4. Listening Assignment 4. Typescript (photocopy). With handwritten notes on page verso (Note 2)
－The bourgeois art of song. 2 sheets (pages 119-121) (photocopy) (Note 2)
－Descriptive techniques in musicology. 1 sheet (pages 366-367) (photocopy). “1952” (Note 2)
－The Highland Clearances (pamphlet published by the Gaelic Society of Scotland). 3 sheets (pages 2-7) (photocopy) (Note 2)
－What is folk art? 4 sheets (cover, pages [1]-3) (photocopy). “Museum of New Mexico. International Folk Art Division. News kit” (Note 2)
－Jeannie Robertson’s My Son David : a conceptual performance model. By James Porter. 1 volume (pages [7]-26) (photocopy). With handwritten notes (Note 2)
－Classes of variable affecting folklore performance. By Charles W. Joyner. 1 sheet (page 258) (photocopy) (Note 2)
－Conceptual performance model. By James Porter. 1 sheet (page 16) (photocopy) (Note 2)
Dates
- 1952, 1980, undated
Language of Materials
English
Conditions Governing Access
Note 1: Contains personal data or sensitive information; access restricted
Conditions Governing Use
Note 2: Copyright restrictions may apply
Extent
1 file(s)
Creator
- From the Fonds: Pian, Rulan Chao, 1922-2013 (Creator, Person)
Repository Details
Part of the CUHK Library Archival Collections Repository
Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk