Music Dept at Harvard 1990- －陽關三叠 study, 1992, undated
File — Box: 3, Folder: 63
Identifier: 0039_PER_Pian_Series_1_Subseries_3_Folder_63
－Parting at Yang Kuan. 1 score. Holograph. 5-line transcription (Note 2)
－Parting at Yang Kuan. 1 score. Holograph. "Simplified" version. Wai Chung-loh recording, Lyrichord-72. 5-line transcription. With photocopies (Note 2)
－Yang Guan San Dye (Parting at Yang Guan), from Yang Chuen Tarng Chyn Puu (17th cent. ed.) , compiled by Jang Dahming, vol. 5. Photocopy. Text in Chinese. 減字譜. Selected pages from《琴譜》. With handwritten markings. With duplicate copy (Note 2)
－Yang kuan san tieh (Parting at Yang Guan), from Yang-ch'un T'ang Ch'in p'u (17th cent. ed.) by Chang Ta-ming, vol. 5. Photocopy. Text in Chinese. 減字譜. Selected pages from《琴譜》. With handwritten markings (Note 2)
－Notes on 1611 陽春堂琴譜（張大命）. Holograph
－Errata for the tabulation of "parting at yang guan". 減字譜. Holograph.
－Parting at Yang Guan. Typescript (photocopy). Lyrics translated into English. Handwritten notes on verso: Analysis textual question and analysis
－Yang Guan San Dye (Parting at Yang Guan). From Yang Chuen Tarng Chyn Puu (17th cent. ed.) 1611. Compiled by Jang Dahming, vol. 5. 減字譜 (Note 2)
－陽關三叠：琴學入門譜。管平湖演奏；王迪記譜。排印本（影印本）。五線譜，附有減字譜及歌詞。"衛仲樂 recording?"。 有手寫筆記 (Note 2)
－陽關三叠：商音。影印本。”無射均正調緊五絃”。《琴學入門・卷下》葉 82-83。減字譜，工尺譜。"Parting at Yang Guan, From the Chyn Shyue Ruhmen edition, compiled by Jang Heh (1864)"。有標記。Enclosed by sheet with handwritten notes: Transcription, notation, tabulation, rhythm question (Note 2)
－陽關三叠：商音。影印本。”無射均正調緊五絃”。《琴學入門・卷下》葉 82-83。減字譜，工尺譜。”Yang kuan san dye (Parting at Yang Guan, From the Chyn Shyue Ruhmen (1864) by Jang Heh。有標記。Enclosed by sheet with handwritten notes: Transcription, notation, tabulation, rhythm question (Note 2)
－HUM 112a, Music & Ritual, Spring Term 1979. Tape 9. Typescript (photocopy). Includes information on the 2 versions of recording and English text of the poem “Parting at Yang Kuan,” by Wang Wei (699-759). With duplicate copies
－陽關三叠 = “Parting at Yang Kuan”. 1 score. Holograph. “Trans. from Chin Hsuen Ju-men 琴學入門 (1864) Edition”. 5-line staff notation (Note 2)
－Simple example of formal structure ... Parting at Yang Guan (Text by Wang Wei 699-759). Typescript. Text in English, with annotation. Number notation (Note 2)
－Parting at Yang Kuan (Text by Wang Wei, 699-759). Typescript. "Earliest music to it in print is dated c. the early 16th cent." With annotation showing the formal structure. Number notation. With duplicate copy (Note 2)
－Some Commercial Recordings. Typescript. Performers indicated. With photocopy
－Parting at Yang Guan (Text by Wang Wei 王維 699-759). Typescript (photocopy). “Earliest appearance of music in print, in 發明琴譜 1550.” Text in English. With annotation showing the formal structure. Number notation (Note 2)
－Parting at Yang Guan. Typescript (photocopy). Text in English. With handwritten annotation showing the formal structure (Note 2)
－Parting at Yang Guan. Typescript (mimeographed) Text in English. With handwritten nores ans markings showing the melody and formal structure
－陽關三叠 = Parting at Yang Kuan：琴學入門譜。管平湖演奏；王迪記譜。排印本，有手寫標記（影印本）。五綫譜，減字譜 (Note 2)
－Parting at Yang Guan. Photocopy. 工尺譜. In Chinese (Note 2)
－長門怨 = Lament of Empress Chen : 梅庵琴譜。查阜西演奏；許健記譜。排印本（影印本）。五線譜，減字譜。With duplicate copies (Note 2)
－Bibliography on Guqin music in English. Typescript (photocopy). With duplicate copies
－陽春古曲（琵琶）：古曲 / 衛仲樂演奏；叶諸然、裘春堯記譜 = SNow in Sunny Spring (Pyiba solo) : as played by Wey Jongleh。五線譜（影印本）(Note 2)
－陽春古曲（部分）。影印本。工尺譜。琵琶新譜，卷上，頁1-2（不完整）,包括《遍地開花》及《獨佔鰲頭》2段 (Note 2)
－Fret positions on the traditional pyiba. Typescript (photocopy)
－The Song of a Guitar. By Po Chü-i ; trans. by Witter Bynner. Photocopy. With handwritten markings (Note 2)
－琵琶行（有序）。影印本。有手寫標記 (Note 2)
－Content list of Tape No. 5 "Goang Liang Saan--A series of ch'in pieces" and Tape 6 (Four Pyiba Pieces. Typescript (photocopy). "Music 198, Spring 1992"
－Music 198 Unit II Music and Instruments. Reading List. Typescript (photocopy)
－Music 198 Unit II. Music and Instrument (Required skill; more professional). Typescript (photocopy)
－Music 198, Music in the Chinese context, Spring 1992. Typescript (photocopy). Teaching schedule
－Chordophones, idiophones, aerophones, membranophones. Typescript (photocopy). On the history, significance, usage, and repertory of the 4 tyes of Chinese musical instruments
－Music 198, Music in the Chinese Context, Spring 1992 (1st day general instructions). Typescript (photocopy). Accompanied by: 1) Map of Asia (Music of specific regions, genesis of musical elements indicated); 2) Chinese chronology with some landmarks of musical sources (page 3); 3) Reading assignment (page 4); 4) Outline (page 5) (Note 2)
－Unit I. Music and work (relation of context to music most clear). Typescript (photocopy). Accompanied by: 1) Reading list; 2) 2 pictures showing various workers working（with sloagan: 毛主席語錄：我們是主張自力更生的）3) Work songs (1. Boatmens's Song 2. Road Workers (Shanghai?), 3. Earth Pounding (Peking), 4. Pole Carriers (Hangchow) 5. Single Boatman's Song. Most of these work song examples are from "Behind the Great Wall" Monitor MP 525, reissued as "sounds of Music of China" Monitor MPS 525. Annotated. 5-line staff notation). With duplicate copy (Reading list and Work songs) (Note 2)
－Parting at Yang Kuan (Text by Wang Wei, 699-759). Typescript. “Earliest music to it in print is dated c. the early 16th cent.” With annotation showing the formal structure. Number notation. With handwritten notes and markings (Note 2)
－Chyn (Ch'in), Guuchyn (Ku-ch'in), the Zither 琴. Music Scores and Recordings. Typescript (photocopy). Accompanied by: Some Commercial Recordings (Note 2)
－Parting at Yang Kuan. 1 score. Holograph. "Simplified" version. Wai Chung-loh recording, Lyrichord-72. 5-line transcription. With photocopies (Note 2)
－Yang Guan San Dye (Parting at Yang Guan), from Yang Chuen Tarng Chyn Puu (17th cent. ed.) , compiled by Jang Dahming, vol. 5. Photocopy. Text in Chinese. 減字譜. Selected pages from《琴譜》. With handwritten markings. With duplicate copy (Note 2)
－Yang kuan san tieh (Parting at Yang Guan), from Yang-ch'un T'ang Ch'in p'u (17th cent. ed.) by Chang Ta-ming, vol. 5. Photocopy. Text in Chinese. 減字譜. Selected pages from《琴譜》. With handwritten markings (Note 2)
－Notes on 1611 陽春堂琴譜（張大命）. Holograph
－Errata for the tabulation of "parting at yang guan". 減字譜. Holograph.
－Parting at Yang Guan. Typescript (photocopy). Lyrics translated into English. Handwritten notes on verso: Analysis textual question and analysis
－Yang Guan San Dye (Parting at Yang Guan). From Yang Chuen Tarng Chyn Puu (17th cent. ed.) 1611. Compiled by Jang Dahming, vol. 5. 減字譜 (Note 2)
－陽關三叠：琴學入門譜。管平湖演奏；王迪記譜。排印本（影印本）。五線譜，附有減字譜及歌詞。"衛仲樂 recording?"。 有手寫筆記 (Note 2)
－陽關三叠：商音。影印本。”無射均正調緊五絃”。《琴學入門・卷下》葉 82-83。減字譜，工尺譜。"Parting at Yang Guan, From the Chyn Shyue Ruhmen edition, compiled by Jang Heh (1864)"。有標記。Enclosed by sheet with handwritten notes: Transcription, notation, tabulation, rhythm question (Note 2)
－陽關三叠：商音。影印本。”無射均正調緊五絃”。《琴學入門・卷下》葉 82-83。減字譜，工尺譜。”Yang kuan san dye (Parting at Yang Guan, From the Chyn Shyue Ruhmen (1864) by Jang Heh。有標記。Enclosed by sheet with handwritten notes: Transcription, notation, tabulation, rhythm question (Note 2)
－HUM 112a, Music & Ritual, Spring Term 1979. Tape 9. Typescript (photocopy). Includes information on the 2 versions of recording and English text of the poem “Parting at Yang Kuan,” by Wang Wei (699-759). With duplicate copies
－陽關三叠 = “Parting at Yang Kuan”. 1 score. Holograph. “Trans. from Chin Hsuen Ju-men 琴學入門 (1864) Edition”. 5-line staff notation (Note 2)
－Simple example of formal structure ... Parting at Yang Guan (Text by Wang Wei 699-759). Typescript. Text in English, with annotation. Number notation (Note 2)
－Parting at Yang Kuan (Text by Wang Wei, 699-759). Typescript. "Earliest music to it in print is dated c. the early 16th cent." With annotation showing the formal structure. Number notation. With duplicate copy (Note 2)
－Some Commercial Recordings. Typescript. Performers indicated. With photocopy
－Parting at Yang Guan (Text by Wang Wei 王維 699-759). Typescript (photocopy). “Earliest appearance of music in print, in 發明琴譜 1550.” Text in English. With annotation showing the formal structure. Number notation (Note 2)
－Parting at Yang Guan. Typescript (photocopy). Text in English. With handwritten annotation showing the formal structure (Note 2)
－Parting at Yang Guan. Typescript (mimeographed) Text in English. With handwritten nores ans markings showing the melody and formal structure
－陽關三叠 = Parting at Yang Kuan：琴學入門譜。管平湖演奏；王迪記譜。排印本，有手寫標記（影印本）。五綫譜，減字譜 (Note 2)
－Parting at Yang Guan. Photocopy. 工尺譜. In Chinese (Note 2)
－長門怨 = Lament of Empress Chen : 梅庵琴譜。查阜西演奏；許健記譜。排印本（影印本）。五線譜，減字譜。With duplicate copies (Note 2)
－Bibliography on Guqin music in English. Typescript (photocopy). With duplicate copies
－陽春古曲（琵琶）：古曲 / 衛仲樂演奏；叶諸然、裘春堯記譜 = SNow in Sunny Spring (Pyiba solo) : as played by Wey Jongleh。五線譜（影印本）(Note 2)
－陽春古曲（部分）。影印本。工尺譜。琵琶新譜，卷上，頁1-2（不完整）,包括《遍地開花》及《獨佔鰲頭》2段 (Note 2)
－Fret positions on the traditional pyiba. Typescript (photocopy)
－The Song of a Guitar. By Po Chü-i ; trans. by Witter Bynner. Photocopy. With handwritten markings (Note 2)
－琵琶行（有序）。影印本。有手寫標記 (Note 2)
－Content list of Tape No. 5 "Goang Liang Saan--A series of ch'in pieces" and Tape 6 (Four Pyiba Pieces. Typescript (photocopy). "Music 198, Spring 1992"
－Music 198 Unit II Music and Instruments. Reading List. Typescript (photocopy)
－Music 198 Unit II. Music and Instrument (Required skill; more professional). Typescript (photocopy)
－Music 198, Music in the Chinese context, Spring 1992. Typescript (photocopy). Teaching schedule
－Chordophones, idiophones, aerophones, membranophones. Typescript (photocopy). On the history, significance, usage, and repertory of the 4 tyes of Chinese musical instruments
－Music 198, Music in the Chinese Context, Spring 1992 (1st day general instructions). Typescript (photocopy). Accompanied by: 1) Map of Asia (Music of specific regions, genesis of musical elements indicated); 2) Chinese chronology with some landmarks of musical sources (page 3); 3) Reading assignment (page 4); 4) Outline (page 5) (Note 2)
－Unit I. Music and work (relation of context to music most clear). Typescript (photocopy). Accompanied by: 1) Reading list; 2) 2 pictures showing various workers working（with sloagan: 毛主席語錄：我們是主張自力更生的）3) Work songs (1. Boatmens's Song 2. Road Workers (Shanghai?), 3. Earth Pounding (Peking), 4. Pole Carriers (Hangchow) 5. Single Boatman's Song. Most of these work song examples are from "Behind the Great Wall" Monitor MP 525, reissued as "sounds of Music of China" Monitor MPS 525. Annotated. 5-line staff notation). With duplicate copy (Reading list and Work songs) (Note 2)
－Parting at Yang Kuan (Text by Wang Wei, 699-759). Typescript. “Earliest music to it in print is dated c. the early 16th cent.” With annotation showing the formal structure. Number notation. With handwritten notes and markings (Note 2)
－Chyn (Ch'in), Guuchyn (Ku-ch'in), the Zither 琴. Music Scores and Recordings. Typescript (photocopy). Accompanied by: Some Commercial Recordings (Note 2)
Dates
- 1992, undated
Language of Materials
In English with some in Chinese
Conditions Governing Access
Note 1: Contains personal data or sensitive information; access restricted
Conditions Governing Use
Note 2: Copyright restrictions may apply
Extent
1 file(s)
Creator
- From the Fonds: Pian, Rulan Chao, 1922-2013 (Creator, Person)
Repository Details
Part of the CUHK Library Archival Collections Repository
Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk