打漁殺家－Pian articles on P.O., 1967, 1970, 1972, undated
File — Box: 1, Folder: 70
Identifier: 0039_PER_Pian_Series_1_Subseries_1_Folder_70
Consists of conference papers and book chapters by Rulan Chao Pian on Peking opera. Includes:
－Rewriting of an act of the Yuan drama, Lii Kwei Fuh Jing, in the style of the Peking Opera : a fieldworker's experiment (presented at the CHINOPERL Conference on April 5, 1970, Berkeley, California). 19 sheets (pages 19-[37]). Typescript (photocopy). Focuses on the process by which an opera writer might put the various parts together, based on two sessions of conversation, in total of 5 hours, recorded on tape, between Yang Hsi-mei (interviewee) and Rulan Chao Pian (interviewer) in Cambridge, Massachusetts on March 8-9, 1970. On the overall plan of the sequence of arias and text-setting. Includes Chinese text on 王林, 魯智深, 宋江, 正末, and transcription aria 1-5, 搖板、快板、二六 (Note 2)
－The function of rhythm in the Peking opera. 9 sheets (pages 114-[131]) (photocopy) (Note 2)
－Rhythmic texture in the opera, "The Fisherman's Revenge." 15 sheets. Typescript (photocopy). "This paper is dedicated in memory of Yu Ta-kang" (Note 2)
－Aria structural patterns in the Peking opera (For Lee Hye-ku on his sixty-third birthday). 17 sheets (pages 65-97) (photocopy) (Note 2)
－Text setting with the shipyi animated aria. 18 sheets (pages 237-[270]) (photocopy). Accompanied by photocopy (1 sheet) of title page of: Words and music (Note 2)
－Contribution of the percussion orchestra to dramatic structure in the Peking opera (Given at the Congress of Orientalists, August 15, 1967, Ann Arbor, Michigan). 9 sheets. Typescript (photocopy) (Note 2)
－Rewriting of an act of the Yuan drama, Lii Kwei Fuh Jing, in the style of the Peking Opera : a fieldworker's experiment (presented at the CHINOPERL Conference on April 5, 1970, Berkeley, California). 19 sheets (pages 19-[37]). Typescript (photocopy). Focuses on the process by which an opera writer might put the various parts together, based on two sessions of conversation, in total of 5 hours, recorded on tape, between Yang Hsi-mei (interviewee) and Rulan Chao Pian (interviewer) in Cambridge, Massachusetts on March 8-9, 1970. On the overall plan of the sequence of arias and text-setting. Includes Chinese text on 王林, 魯智深, 宋江, 正末, and transcription aria 1-5, 搖板、快板、二六 (Note 2)
－The function of rhythm in the Peking opera. 9 sheets (pages 114-[131]) (photocopy) (Note 2)
－Rhythmic texture in the opera, "The Fisherman's Revenge." 15 sheets. Typescript (photocopy). "This paper is dedicated in memory of Yu Ta-kang" (Note 2)
－Aria structural patterns in the Peking opera (For Lee Hye-ku on his sixty-third birthday). 17 sheets (pages 65-97) (photocopy) (Note 2)
－Text setting with the shipyi animated aria. 18 sheets (pages 237-[270]) (photocopy). Accompanied by photocopy (1 sheet) of title page of: Words and music (Note 2)
－Contribution of the percussion orchestra to dramatic structure in the Peking opera (Given at the Congress of Orientalists, August 15, 1967, Ann Arbor, Michigan). 9 sheets. Typescript (photocopy) (Note 2)
Dates
- 1967, 1970, 1972, undated
Language of Materials
English
Conditions Governing Access
Note 1: Contains personal data or sensitive information; access restricted
Conditions Governing Use
Note 2: Copyright restrictions may apply
Extent
1 file(s)
Creator
- From the Fonds: Pian, Rulan Chao, 1922-2013 (Creator, Person)
Repository Details
Part of the CUHK Library Archival Collections Repository
Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk