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Box 2

 Container

Contains 101 Collections and/or Records:

P.O. melody-P.O. repertory, undated

 File — Box: 2, Folder: 48
Identifier: 0039_PER_Pian_Series_1_Subseries_2_Folder_48
Scope and Contents -同治後五十年間北平恒演劇目。戲名通檢。頁 1-19(影印本)(Note 2)

P.O. melody-Melodic Creation in P.O., 1956 - 1958

 File — Box: 2, Folder: 49
Identifier: 0039_PER_Pian_Series_1_Subseries_2_Folder_49
Scope and Contents -戲曲唱腔改革中的幾個問題。馬可。1956 年 3 月 頁 745-756(影印本)(Note 2)

-戲曲音樂的創作道路:創作新曲牌、新板類。林綠。《戲曲研究》(1958)3 頁 83-90(影印本)(Note 2)

-重視戲曲音樂工作者的積極創造。何為。頁 673-686 1957 年 5 月(影印本)(Note 2)

P.O. melody-Training discipline in P.O., 1958, 1962

 File — Box: 2, Folder: 50
Identifier: 0039_PER_Pian_Series_1_Subseries_2_Folder_50
Scope and Contents -戲曲表演藝術的基礎——四功五法:在山西省第二屆戲曲觀摩會演大會的講話。程硯秋。《戲劇研究》(1958)1 頁 45-60(影印本)(Note 2)

-早扮三光。晚扮三慌。《戲劇報》(1962)1 頁 43(影印本)(Note 2)

P.O. melody-Opera reform, 1956, 1962, undated

 File — Box: 2, Folder: 51
Identifier: 0039_PER_Pian_Series_1_Subseries_2_Folder_51
Scope and Contents -音樂建設文集。上冊。北京:音樂出版社,1956年 頁 i-xix(影印本)(Note 2)

-新歌劇形式問題雜談。李凌。《戲劇報》1962.11 頁 50-60(影印本)(Note 2)

-Maoist ideology and its exemplification in the new Peking opera. by D.W. Fokkema. Current Scene, vol. X, no. 8, pages 13-20 (photocopy) (Note 2)

P.O. melody-Words melody in singing, 1957-06 - 1957-06

 File — Box: 2, Folder: 52
Identifier: 0039_PER_Pian_Series_1_Subseries_2_Folder_52
Scope and Contents -絲弦老調的唱法中所涉及的音韻問題。楊蔭瀏。1957年6月 頁 1447-1454(影印本)(Note 2)

P.O. melody-Reformed Opera Listening Notes, undated

 File — Box: 2, Folder: 53
Identifier: 0039_PER_Pian_Series_1_Subseries_2_Folder_53
Scope and Contents -Handwritten notes on 劉君若 tape (*no. on Tandberg)

P.O. melody-Dramatic content, 1958, 1962

 File — Box: 2, Folder: 54
Identifier: 0039_PER_Pian_Series_1_Subseries_2_Folder_54
Scope and Contents -歷史劇是藝術,也是歷史。吳晗。《戲劇報》1962.6 頁 38-42(影印本)(Note 2)

-關於歷史劇的創作方法。烏強。《戲劇報》1962.9 頁 39-48(影印本)(Note 2)

-戲曲音樂表現現代生活的一些問題:回顧我們走過的路。馬可。《戲曲研究》(1958)4 頁 48-68(影印本)(Note 2)

-傳統劇目整理改編的幾個問題。郭漢城、沈嶢。《戲劇報》1962.5 頁 36-46(影印本)(Note 2)

-《九江口》改編漫談 范鈞宏。《戲劇報》。1962.3 頁 21-26(影印本)(Note 2)

P.O. melody-Male and female voices in operas, 1958-10 - 1958-10

 File — Box: 2, Folder: 55
Identifier: 0039_PER_Pian_Series_1_Subseries_2_Folder_55
Scope and Contents -我們怎樣解決男女合演的唱腔問題。周大風。1958年10月 頁 940-948(影印本)"on 越劇" (Note 2)

P.O. melody-Speech in Peking Opera, 1963-02, undated

 File — Box: 2, Folder: 56
Identifier: 0039_PER_Pian_Series_1_Subseries_2_Folder_56
Scope and Contents -談賈桂念狀。蕭長華。《戲劇報》SJB 1963.2 頁 42-46(影印本) "Rhythm in speech" (Note 2)

-1 sheet. Handwritten notes. Peking opera plans, plots & dialogue, good 韻白 examples

Music Dance-二人 Illustration 零頭兒, undated

 File — Box: 2, Folder: 82
Identifier: 0039_PER_Pian_Series_1_Subseries_2_Folder_82
Scope and Contents -Materials enclosed by a folded sheet. Includes: 1)《楊八姐遊春》(二人轉)。劉景文整理。With duplicate copies (Note 2)-Old master. Includes: 1) Appendix. Yang Sister no. 8 Goes for a Spring Outing (a twirling duet from Northeast China). English translation of lyrics of《楊八姐遊春》(二人轉)。With duplicate copy-Excerpt from Twirling Duet: Yang Sister no. 8. Rulan C. Pian. Score. With duplicate copies (Note 2)-List of events, speaker(s), and manner of delivery....