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No separator-Shelemay Seminar 210., undated

 File — Box: 20, Folder: 33
Identifier: 0039_PER_Pian_Series_1_Subseries_20_Folder_33
-Meeting of the Department (Department of Music) on 10-7. 1 sheet. Holograph. A memo card

-Summary of technological innovations affecting musical scholarship. 1 sheet. Typescript (photocopy) (Note 2)

-Music of the Falashas. 1 sheet. Typescript with handwritten notes (photocopy). A cover label of a record

-The tyranny of the Alphabet. 1 sheet. Typescript (photocopy). Page 37. "From Roy Harris, The Origin of Writing. La Salle, Illinois: Open court, 1986" (Note 2)

-Mnemonic visualization of "Kura Tayil". 1 sheet. Typescript (photocopy) with handwritten notes. Page 409. "1979 SEM" (Note 2)

-Precedent and process in urban musical transmission: a new notational system for orchestra Ethiopia1 sheet. Typescript (photocopy). "Kay Kaufman Shelemay" (Note 2)

-The merchant of art : an Egyptian Hilali oral epic poet in performance. 10 sheets (pages 95-109). Typescript (photocopy) (Note 2)

-K.K. Shelemay. Text and translation of Mareshit Kol ; Text and translation of Tsur Ya'el. 1 sheet. Typescript (photocopy). Attachments include:

 1) Melekh Rahman / arr. By Jos. R.A. Sutton. 1 score. Typescript (photocopy). 5-line staff notation with lyrics in Romanized text and Hebrew translation. "Source: Joseph A.D. Sutton, Magic Carpet: Aleoppo-in-Flatbush. New York: Thayer-Jacoby, 1979" (Note 2)

 2) Text and translation of Atah El Kabbir. 1 sheet. Typescript with handwritten notes (photocopy). lyrics in Hebrew and English text (Note 2)

 3) Text and translation of Atah El Kabbir. 1 sheet. Typescript with handwritten notes (photocopy). 5-line staff notation from two sources: "A.Z. Idelsohn, Dei Maqamen der arabischen Musik" and "Transcription by K.K. Shelemay fro 1979 recording" (Note 2)

-Oral and written transmission in Ethiopian Christian Chant. K.K. Shelemay. 5 sheets. Typescript (photocopy) with handwritten notes (Note 2)

-A notebook. 1 volume. Holograph

-1 sheet of symbols

-Ethnomusicology seminar 210. The transmission of music in culture: oral, aural, and written, Fall 1991. Kay K. Shelemay. 6 sheets. Typescript (photocopy) with handwritten notes. Class schedule and readings (Note 2)

-Important masters of the Radif and their students. 1 sheet. Typescript (photocopy) with handwritten notes. From: "Bruno Nettl. The Radif of Persian Music. Elephant & Cat, Champaign 1987" (Note 2)

-Shiloah and Cohen: music in Israel. 1 sheet. Typescript (photocopy). Shiloah, Amnon and Erik Cohen, 1983. "The Dynamics of Change in Jewish Oriental Ethnic Music in Israel", Ethnomusicology, May, 1983, pages 238-239 (Note 2)

-Listening assignments. 15 sheets. Typescript (photocopy). For seminiar sessions on Taqasim and Layali, Cairo tradition/Umm Kulthum ; Awadailah, Sirat Bani Hilal ; Jewish chant, Ethiopian christan chant and Pizmon (Note 2)

-Transcription of Bima Kurda from music of the Venerable Dark Cloud / by Mantle Hood and Hardja Susilo. 1 sheet. Typescript (photocopy) with handwritten notes (Note 2)

-The nuclear theme as a determinant of patet in Javanese Music / Mantle Hood. 1 sheet. Typescript (photocopy). New York : DaCapo Press, 1977. Pages 318-[319] (Note 2)

Dates

  • undated

Language of Materials

Chiefly in English

Conditions Governing Access

Note 1: Contains personal data or sensitive information; access restricted

Conditions Governing Use

Note 2: Copyright restrictions may apply

Extent

1 file(s)

Creator

Repository Details

Part of the CUHK Library Archival Collections Repository

Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong