XYZ－Untitled folder, 1944-1994, undated
File — Box: 11, Folder: 22
Identifier: 0039_PER_Pian_Series_1_Subseries_11_Folder_22
－李鈺琴致趙教授聖誕卡。Dec. 24 (Note 2)
－The interpretation of cultures : selected essays by Clifford Geertz. New York : Basic Books, 1973. Includes photocopy of title page, contents, preface and chapter 1 (Note 2)
－VII. The music compositional process as a function in a nest of functions and as in itself a nest of functions. 29 sheets (pages 139-167). Photocopy. With handwritten notes. “Studies in musicology 1935-75. Seeger, 1977 Berkeley.” With duplicate copy (without handwritten note) (Note 2)
－Analysing popular music : theory, method and practice. By Philip Tagg. 16 sheets (pages 37-67). Photocopy. “Popular music 2 (1982)” (Note 2)
－The philosophy of art history. 44 sheets (pages [279]-365). Photocopy (Note 2)
－《語言音樂學綱要》目錄。手稿1葉 (Note 2)
－Analysing popular music : theory, method and practice. By Philip Tagg. 13 sheets (pages 37-43, 50-67). Photocopy. With handwritten markings (Note 2)
－唐詩的審美特徵。排印本6葉（頁206-217）。影印本 (Note 2)
－Physical and verbal behavior. 7 sheets (pages 103-122). Photocopy. With handwritten notes. A chapter of the book The anthropology of music, by Alan P. Merriam (Note 2)
－Contextual strategies of inquiry and systematization. J.H. Kwabena Nketia. 6 sheets (pages 75-97). Photocopy. With handwritten notes. “Ethnomusicology, winter 1990” (Note 2)
－文化中國的傳承－－過程中之一形態。陸惠風。手稿16葉（影印本）。”九一・五・三” (Note 2)
－Sources of evidence and criteria for judgment in the critique of music. By Charles Seeger. 16 sheets (pages 261-276). Typescript, with handwritten notes (photocopy) (Note 2)
－VIII. Prescriptive and descriptive music writing. 7 sheets (pages 168-181). Photocopy. With handwritten markings (Note 2)
—XV. Versions and variants of the tunes of “Barbara Allen.” 25 sheets (pages 273-320). Photocopy. With handwritten notes on verso of page 320 (Note 2)
－China’s path from communism. Andrew J. Nathan. 7 sheets (Note 2)
(pages [30]-42). Photocopy. Journal of democracy, vol. 4, no. 2 (April 1993). “I find this very instructive, Charles” (Note 2)
－Linguistic diversity and language relationships. By W.S.-Y Wang. 10 sheets (19 pages). Printout (photocopy). “ICCLL-I, Singapore 1992.” With handwritten markings. Autographed copy from 士元to Iris, dated 92.7.9 (Note 2)
－從傳統素材創新中國當代歌樂。趙琴。排印本（影印本2葉）(Note 2)
－歌如貫珠雲遮月－－向傳統聲樂藝術的縱深探源（上）。趙琴。排印本1葉（影印本）(Note 2)
－《古詩文吟誦集》編纂計劃（初稿）。手稿2葉（影印本）。有手寫筆記。報事貼：To Do 中 (Note 2)
－略論漢語方言與民間音樂。章鳴。排印本1張（頁54）（不完整）。刊於《音樂研究》1991年3期。作者致趙如蘭簽名本，日期：1991.12 (Note 2)
－Text setting with the shipyi animated aria : a long footnote. John Spitzer, Cornell U. Music Dept. 5 July, 1978. 1 volume. Photocopy. 1 sheet of handwritten note inserted (Note 2)
－《中國京劇》1993第6期（總第12期）。主辦：文化部振興京劇指導委員會。第63頁：京胡伴奏 / 黃華云 (Note 2)
－日本雅樂的「亂聲」與中國清商樂「亂聲」考異。黃耀堃。1冊（頁[169]-[182）。《香港中文大學中國文化研究所學報》第15卷（1984年）抽印本 (Note 2)
－Choreometrics : a method for the study of a cross-cultural pattern in film. By A. Lomax, Irmgard Bartenieff, Forrestine Paulay. 1 volume (pages [505]-517). Offprint of: Sonderdruck aus Research Film, vol. 6, no. 6 (1969) (Note 2)
－理論和樂聲。陳應時文；艾文斯譯。打印本9葉（影印本）。With handwritten notes and markings (Note 2)
－Theory and notation. By Chen Yingshi, Christopher Evans. 10 sheets. Printout (photocopy) (Note 2)
－The Chinese University of Hong Kong 30th Anniversary Concert, presented by Chung Chi choir 崇基合唱團. 1 volume (56 pages). Program booklet. Date: 29th March 1993. Venue: City Hall Concert Hall (Note 2)
－Orthography in Scriabin’s late works. By Cheong Wai-Ling. 1 volume (pages 47-69). Offprint of: Music analysis, volume 12, number 1 (March 1993) (Note 2)
－昇華。范李彬曲。手稿4葉（影印本）。五綫譜，減字譜。”李彬自題於八二. 癸酉. 冬” (Note 2)
－對雪。 唐・子蘭和尚詩；范李彬曲。手稿1葉（影印本）。五綫譜，減字譜。”八二. 十二. 二” (Note 2)
－Readings. Includes:
1) 7. Black sacred song and the tune-family concept. Anne Dhu Shapiro. 9 sheets (pages [101]-117). Photocopy. From: New perspectives on music : essays in honor of Eileen Southern (Note 2)
2) A page from Hwa Chioupyng’s Pyiba Puu (A Collection of Pyiba Music) First ed. 1819. The earliest printed collection of pyiba music. 1 sheet. Photocopy (Note 2)
3) 論詞之起源。葉嘉瑩。排印本8葉（影印本）。《中國社會科學》1984年第6期。Florence 致 Iris 簽名本 (Note 2)
4) Deep significance and surface significance : is cantometrics possible?. Elli Köngäs Maranda. 12 sheets. Photocopy. “Semiotica, 2 (1970), 173-84” (Note 2)
5) A performative approach to ritual. By S.J. Tambiah. Oxford : Oxford University Press, c1981. 30 sheets (title page, pages [113]-169). Photocopy. “From The Proceedings of the British Academy, London, Volume LXV (1979)” (Note 2)
－Song : folk song and the music of folk song. By George Herzog. 23 sheets (photocopy). From: Funk & Wagnalls standard dictionary of folklore, mythology and legend. Includes title page, pages xii and 1032-1050 (Note 2)
－Studies in musicology, 1935-1975. VII. The music compositional process as a function in a nest of functions and in itself a nest of functions. By Charles Seeger. 1 volume (pages 139-167). Photocopy (Note 2)
－《音樂編譯參考》第3輯：外國音樂教育專輯。1993.12。主編：趙佳梓。上海音樂學院音樂研究所音樂文獻編譯室編印 (Note 2)
－中文大學校刊。一九九三年・秋。”三十周年校慶” (Note 2)
－Music as culture. 2nd edition. Marcia Herndon and Norma McLeod. Darby, Pa. : Norwood Editions, 1981. Photocopy (ix, 208 pages) (Note 2)
－Six Chinese songs. Re-arranged by Victor Chan. 1 volume (18 pages). 5-line staff notation. Lyrics in Chinese. Autographed copy to Rulan Pian, dated: 25 Jan. 94 (Note 2)
－Preliminary Application of the Computer Technique to GuQin Music Research. Chen Changlin（陳長林）. Photocopy. Journal of computer science and technology, vol. 5, no. 1 (1989), pages [85]-96. Autographed copy to 趙如蘭, dated: 1994年4月 (Note 2)
－《神奇秘譜》琴律探微（下篇）。喻輝。1冊（頁13-51）。作者致趙如蘭簽名本，日期：94年4月 (Note 2)
－巴則海族的祭祖歌曲及其他歌謠。李壬癸、林清財。1冊（16頁）。”民族學研究所資料彙編第三期抽印本。中央研究院民族學研究所中華民國七十九年七月出版”。李壬癸致如蘭簽名本，日期：1992.7.8 (Note 2)
－English and Chinese metres in Hsü Chih-mo. By Cyril Birch. London : Percy Lund, Humphries & Co. Ltd, 1961. 1 volume (pages 258-293). Offprint of: Asia Major, new series, vol. VIII, part 2. Autographed copy to Chao, dated: Jan. 1962 (Note 2)
－Lo Ka Ping, Cantonese musician = 盧家炳－－廣東的音樂家。Dale A. Craig 祁偉奧著。1 volume (photocopy)。《琴府》頁1983-1990。“原載香港 Arts of Asia 亞州藝術一九七一年十一・十二月聯號”。On cover: Music 198 (Note 2)
－1. Ethnomusicology: definitions, directions, and problems. Bruno Nettl. 9 sheets (photocopy). “From Music of Many Cultures: An Introduction. Ed. by Elizabeth May. U of Cal. Press, 1980.” “Muisc 198, Pian” (Note 2)
－曲譜四種，手稿（影印本），數字普，減字譜，包括：
1) 聽蜀僧濬彈琴。李白詩；王華德曲。1葉 (Note 2)
2) 蒹葭：詩經・秦風。魏子雲吟誦；林珀姬記譜；王海燕編琴譜。1葉 (Note 2)
3) 釵頭鳳。陸遊詞；王迪曲。2葉 (Note 2)
4) 古琹吟（相思曲）：琴學入門譜。張清治定譜。1葉。葉背：范李彬，國立藝術學院音樂系 (Note 2)
－Ancient and Oriental music. II. The music of Far Eastern Asia. 1. China. By Laurence Picken. 30 sheets (pages [83]-134). Photocopy. New Oxford History of music, Volume 1 (Note 2)
－From Chapter 86 of The Dream of the red Chamber (A Late 18th Century Novel). 10 sheets. Typescript (photocopy). “Passage on the Zither (ch’in, chyn, Qin).” ”MUS 198” (Note 2)
－The qin and the Chinese literati. By J.C.Y. Watt. 12 sheets (pages 38-49). Photocopy. “Orientations 1981 Nov.” “For Music 198 and Music 219” (Note 2)
－Music: Music in China. By Rulan Chao Pian. 4 sheets (pages 59-62). Photocopy. “For Music 198” (Note 2)
－Readings. 1 sheet. Holograph. Title only
－Music 198. 1 portfolio. Includes:
1) A romantic description of the use of work songs (from the novel, Jin Guang Dah Daw ‘The Great Golden Road’ by Haw Ran, Peking, 1972. p.166-167). Tr. by RCP. 2 sheets. Typescript (photocopy) (Note 2)
2) Photocopy of title page and book blurb of: A harp with a thousand strings (A Chinese anthology in six parts), compiled by Hsiao Ch’ien. 1 sheet (Note 2)
3) Sights and sounds of the Peking day ; Peking: serenade and aubade. By Osbert Sitwell. 4 sheets (pages 184-190). Photocopy (Note 2)
－Perspectives on the aesthetics of change : from the classical Chinese theatre to the revolutionary Peking opera. By Sophia Delza. 14 sheets (pages 22-48). Typescript (photocopy). “Music 198, from CHINOPERL papers 1977 no.7” (Note 2)
－Report on an experiment with yangge dance and music. By David Holm. 14 sheets (pages 92-105). Typescript (photocopy). “Reserve for MUS 198” (Note 2)
－Ballad and dance. George McKnight. 3 sheets (pages 30-38). Photocopy. “The critics & the ballad 1961. Readings selected & ed. by M. Leach & T.P. Coffin” (Note 2)
－Trained mice, monkeys, puppets, and ‘boats that run on land.’ 2 sheets (pages 23-24). Photocopy. “Tun/Bodde Annual Customs & Festivals in Peking 1965” (Note 2)
－瞎子阿炳曲集。楊蔭瀏、曹安和、儲師竹合編。上海：萬葉書店印行，1952。排印本36葉（影印本）。包括封面、書名頁、版權頁、目次、及頁5-19、22-32、34-39。報事貼：Story of Ah Biing (Note 2)
－Ah Biing the blind musician. 9 sheets. Typescript (photocopy). “A selected translation of 瞎子阿炳曲集 楊蔭瀏等合編 A collection of music by Ah Biing the Blind, compiled by Yang Yinnliou etc. Pub. By Wannyeh Book Co., 1952, Shanghai ‘Introduction’” (Note 2)
－Yang ko（秧歌）,the rural theatre in Ting-hsien, Hopei. By Chao Wei-pang. 1 volume (leaves 17-[40]). Photocopy. “(From Folklore Studies, 1944, no. 1)”—Cover (Note 2)
－Yung. Includes:
1) Choreographic and kinesthetic elements in performance on the Chinese seven-string zither. Bell Yung. 7 sheets (pages 505-517). Photocopy. Ethnomusicology, September 1984 (Note 2)
2) Da Pu : the recreative process for the music of the seven-string zither. Bell Yung. 14 sheets (pages 370-383). Photocopy. “From Music & Context, essays for John M. Ward. Harvard, 1985.” “Music 198 (Music 219)” (Note 2)
－4. Ballad and Dance. George McKnight. 5 sheets (pages 30-38). Photocopy. With handwritten markings. “Ballad origins and definitions” (Note 2)
－Letter from Len Holvik to Rulan Pian. 4/26/94. 1 sheet (2unnumbered pages). Holograph, signed (Note 2). Accompanied by: Echoes and shadows : integration and purpose in the words of the koto composition “Fuki” / Leonard C. Holvik. 1 volume (pages 445-477). Offprint of: Journal of Japanese studies, 18:2 (1992) (Note 2)
－《中大學生》第九十三期（一九九四年四月廿日）。包括第1-16、21-36版。第36版有：逸夫院長歌：調寄《逸夫書院院歌》(Note 2)
－《黃埔》1992年第1期（總第22期）(Note 2)
－《香港沙田車公廟 = New Che Kung Temple, Shatin, Hong Kong》明信片7張 。原插於《黃埔》1992年第1期 (Note 2)
－Silkroad : the inflight magazine of Dragonair = 絲路：港龍航空公司雜誌。April/May, 1994 (Note 1) (Note 2)
－航綫圖；西南絲綢之路（二）= Southwest Silk Road (Part II). 4 sheets (pages [12]-18) (detached from an identified issue of: 《西南航空》= Southwest Airlines) (Note 1) (Note 2)
－Tsinghua University facts 1993. 1 folded sheet (Note 2)
－《信報財經新聞》1994年1月6日第27-30版 (Note 2)
－《人民日報（海外版）》1994年4月2日第5-8版 (Note 2)
－《人民日報（海外版）》1994年4月6日第1-4版 (Note 2)
－官僚組織寵壞了作家，李歐梵呼籲解散作協。記者戴平。《明報》1994年4月22日 (Note 2)
－《中大學生》第九十三期（一九九四年四月廿日）第17-20版 (Note 2)
－《今虞琴訊》5（1992/12）。主編：許國華、陸潛。上海今虞琴社主辦 (Note 2)
－漢唐樂府藝術文化中心、漢唐樂府南管古樂團、余承堯紀念館。單張 (Note 2)
－中國古琴名琴名曲國際鑑賞會，韓國琴之夜。場刊。日期：1994年4月4日。地點：中國北京中央音樂學院小劇場 (Note 2)
－《八和匯報》1994年三月份 (Note 2)
－訴琴情：王國潼、王憓胡琴音樂會 = huqin concert by Wang Guotong and Wong Hae. 場刊1冊。”大會堂音樂廳 City Hall Concert Hall 6/5/94 (Fri星期五)”。有手寫筆記 (Note 2)
－民間傳奇音樂會。單張。區域市政局主辦；新聲國樂團演出。日期：1994年4月23日（星期六）。地點：屯門大會堂演奏廳 (Note 2)
－北平故宮北海公園；Tunhuang : a treasure house of art = 藝術的寶庫――敦煌；Miniature carvings。排印本2張（頁17-20）(Note 2)
－紅伶閨秀敬老粵曲大匯演。單張。藝術顧問：新馬師曾。”94年5月23日、28日新光戲院隆重公演” (Note 2)
－沙田大會堂節目 = Shatin Town Hall programmes. 1994 四月. 摺頁1張 (Note 2)
－Chung Chi College Staff Club Annual Ball 1994 cum Dinner in honour of Philip Shen. Leaflet. Date: 20 May 1994 (Friday) (Note 2)
－Chung Chi College, The Chinese University of Hong Kong, campus news = 香港中文大學崇基校園通訊。Vol. 30, no. 8 (April 16, 1994) (Note 2)
－民間傳奇，新聲國樂團 = The Chinese Legends, New Tune Chinese Orchestra。單張。”23.4.94 … 屯門大會堂演奏廳 Auditorium, Tuen Mun Town Hall.” With duplicate copy (Note 2)
－王國潼二胡講座及示範系列之二：怎樣理解與演奏二胡曲《二泉映月》= Wang Guotong, a series of lectures & demonstration on erhu (II) : how to appreciate and perform erhu piece Moonlight Reflected on the Erquan Spring。單張。”一九九四年六月十九日（星期日）晚上八時，沙田大會堂文娛廳” (Note 2)
－中國青年交響樂團 = China Youth Symphony Orchestra. Leaflet. “8-9.5.94 … 香港大會堂音樂廳 City Hall Concert Hall” (Note 2)
－Modern Chinese Cultural Studies and Cultural Criticism, conducted by Leo Ou-fan Lee. Information sheet on the 5 weekly seminars held April 14-May 12, at Chinese University of Hong Kong (Note 2)
－香港文化中心（週日）粵曲研唱推廣班（週六）粵曲齊齊唱晚會。杜宇粵樂曲藝中心單張 (Note 2)
－北方昆曲劇院。場刊1冊。”一九九四年三月十八至廿日 … 香港大會堂音樂廳” (Note 2)
－分享大地脈動的原始活力：1994台灣原住民族樂舞系列：阿美篇（南勢阿美）噶瑪蘭篇。摺頁1張 (Note 2)
－管樂競爭輝 = Symphonies of Winds。摺頁1張。香港中樂團。日期：1994年5月13-14日。地點：香港文化中心音樂廳 (Note 2)
－管樂競爭輝 = Symphonies of Winds。場刊1冊。香港中樂團。日期：1994年5月13-14日。地點：香港文化中心音樂廳 (Note 2)
－粵劇名曲傾城夜 = Cantonese Opera Theme Songs Night。場刊1冊。日期：1994年4月22日。地點：香港城市理工學院惠卿劇院。有手寫筆記 (Note 2)
－粵劇名曲傾城夜 = Cantonese Opera Theme Songs Night。單張。日期：1994年4月22日。地點：香港城市理工學院惠卿劇院。頁背有手寫筆記 (Note 2)
－國立中央研究院的幾位先生、國立藝術學院音樂系及其他大學的教授們。打印本1張（影印本）。名單。有手寫電話號碼 (Note 1) (Note 2)
－「中華民國聲樂家協會」就擔任「趙元任紀念系列活動」之研討會主講人致卞趙如蘭信函 (Note 2)。包括：
1) 何康婷致如蘭傳真。82.12.9。手稿1葉 (Note 2)
2) 何康婷致如蘭傳真。1993年7月22日。手稿1葉 (Note 2)
3) 何康婷致如蘭傳真。1993.11.13。手稿1葉 (Note 2)
4) 劉塞雲、何康婷致趙如蘭邀請函。民國82年10月16日。打字本1葉。有簽名及印章。附：趙如蘭與「中華民國聲樂家協會」契約書（日期：民國82年10月31日）(Note 2)
－旦調考辨（大會發言稿）。李來璋。打印本6 葉（影印本）。”參加（香港）國際傳統音樂學會第31屆大會論文” (Note 2)
－31st ICTM World Conference, Hong Kong, 3-9 July 1991. Delegates list. 4 sheets. Printout (photocopy) (Note 2)
－滿族民歌新論。楊久盛。1 冊（27 頁）。”瀋陽音樂學院一九九一年六月” (Note 2)
－Programme, Thirty-First World Conference of The International Council for Traditional Music, July 3-9, 1991, Hong Kong = 第三十一屆國際傳統音樂學會世界年會，香港，一九九一年七月三至九日，會議日程。1 volume (unpaged). With handwritten notes (Note 2)
－Abstracts of papers read at the Thirty-First World Conference of The International Council for Traditional Music, July 3-9, 1991, Hong Kong = 第三十一屆國際傳統音樂學會世界年會，香港，一九九一年七月三至九日，論文提要。1 volume (128 pages) (Note 2)
－關於女作曲家劉莊的資料，包括：
1) 劉莊室内樂作品音樂會 = Chamber Music Concert of Liu Zhuang’s Works。1987.5. 北京音樂廳。場刊。”中央樂團《星期音樂會》第402期” (Note 2)
2) Zhang Yan, China’s foremost zhengist, performs Liu Zhuang’s “Guangling Ballad” with Symphony of the Mountain …山嶽交響曲 ; Symphony of the Mountain : Contra Costa’s Resident Professional Orchestra 1983-84 season. 1 sheet (photocopy) (Note 2)
3) 深情委婉，活潑清新－－劉莊室内樂作品賞析。梁茂春。影印本。《人民日報》1987年7月11 日第8版 (Note 2)
4) 追求永無窮期－－劉莊音樂創作簡論。梁茂春。影印本。”1987.8期人民音樂雜誌《當代音樂家專輯》” (Note 2)
5) 塔什庫爾干印象：劉莊室内樂作品音樂會隨想。謝嘉辛。影印本。《人民音樂》1987年第8期 (Note 2)
6) 中央樂團明公演民族交響樂新作品；中西合璧，古今交融：三首雙箏協奏曲唱片磁帶不日問世；劉莊的室内樂作品《樂壇新聲》介紹。1981年3月16日 – 1983年10月15日。剪報3篇（影印本1葉）(Note 2)
7) 邊城的笛聲；女作曲家劉莊。剪報2篇（影印本1葉）(Note 2)
8) 劉莊與《黃河》鋼琴協奏曲。葉純之。影印本。香港《新晚報》1986年8月1日 (Note 2)
9) 1984.3.20 美舊金山報紙評論文章。Typescript with handwritten Chinese text (photocopy). Includes English text and Chinese translation of the review by Jeanie R. Walkland for Contra Costa Times (Note 2)
－劉靖之編《中國新音樂史論集》宣傳單張 (Note 2)
－《光明日報》1988年6月4日。報紙1張（4版）。第2版包括：”通俗歌手應當少模仿，多創造”――訪台灣著名歌星包娜娜 / 陳可 (Note 2)
－《北京晚報》1988年6月2 日。報紙1張（4版）。第3版包括：通俗唱法爲何不通俗 / 魏廉 (Note 2)
－《南京日報》1988年5月2 日。報紙1張（4版）。第4版包括：秦淮河畔話”白局”――訪74歲老藝人梁漢臣 / 曉潭、許文勇。附：人民教育出版社徵訂單張 (Note 2)
－《人民日報（海外版）》1988年6月2 日。報紙1 張（第1-4版）(Note 2)
－《工人音樂報》1988年5月10日第9期（總第77期）。報紙1張（4版）(Note 2)
－《北京日報》1988年6月8 日。報紙1 張（4版）(Note 2)。第2版。包括：
1) 工程師與”音樂家”──鄧忠凡小記 / 趙青 (Note 2)
2) 廠内有了「曲藝茶座」／吳苑 (Note 2)
－《世界日報》中華民國80年2月27日第11-12版。報紙半張 (Note 2)
－無詞歌（女高音獨唱）。劉莊曲。排印本3張（頁14-19），影印本。五綫譜 (Note 2)
－董光光鋼琴演奏會。場刊。”中央樂團《星期音樂會》第434期。1988.6.6 北京音樂廳” (Note 2)
－Chinese pottery figurines. [Toronto] : University of Toronto Press : Royal Ontario Museum of Archaeology, c1950. 1 volume (4, [12] pages) : chiefly illustrations ; 20 cm (Note 2)
－Bibliography attached to the special area statement by Ann M. 7 sheets. Printout (Note 2). Includes:
1) General approach: ethnomusicology. 2 sheets. With handwritten message from Ann M. to Pian. “8/8” (Note 2)
2) II. Studies of the Wabanaki Indians. 3 sheets (Note 2)
3) Wabanaki studies including ethnomusicological research. 2 sheets (Note 2)
－Letter from Masato Nishimura to Pian. 10/25/89. Holograph, signed. Originally pasted on verso of sheet [1] of: An intellectual circle of the Ming-Qing transition (Note 2)
－An intellectual circle of the Ming-Qing transition. By Masato Nishimura. 13 sheets. Printout, with handwritten Chinese (photocopy). On the novel《女仙外史》(Note 2)
－Musical examples and musical knowledge : a comparison of musicological and ethnomusicological approaches. By Joseph S.C. Lam. 14 sheets. Printout. “Paper presented at ICTM/IMS Joint Colloquium, ‘Ethnomusicology and Historical Musicology: Common Goals, Shared Methodologies?’ Mainz, Germany, March 1991.” (Note 2)
－簡論薩迦班智達・貢噶堅贊《樂論》。彭措青繞。打印本（影印本）。”1991.4.拉薩” (Note 2)
－旦調考辨。李來璋。吉林省藝術研究所。一九九一年四月。１冊（28頁）。”參加（香港）國際傳統音樂學會第31屆大會論文” (Note 2)
－二十世紀東西方文化衝突與交融中的中國古琴藝術。林友仁。排印本（頁13-22），影印本。”《藝苑》90年第三期”。作者致趙如蘭簽名本，日期：91.6.29 (Note 2)
－Rhythm in the Shen Qi Mi Pu. 9 sheets (9, [9] pages). Typescript (photocopy). Includes scores of 4 versions of 《華胥引》(Note 2)
－The relationship between percussive music and the movement of actors in Peking opera. By Hao-Hsing Yao. 1 volume (pages [39]-70). Offprint of: Asian music, volume 21, number 2 (spring/summer 1990). Autographed copy from 姚海星 to 趙教授如蘭, dated: 一九九一. 五. 二十八. Attached with post-it note with message from the author, dated 5/28/91 (Note 2)
－Association for Chinese Music Research 中國音樂研究會 Newsletter, Volume 4, no. 2, summer 1991. Published by the Music Department, University of Pittsburgh (Note 2)
－Letter from Rulan Chao Pian to Mali-San. Sept 2, 1991. 1 sheet. Typescript, signed (carbon copy)
－A reconstruction of the junshi-ôjô-kôshiki. By Mine Masahiko. 1 sheet. “Thirty First World Conference of the ICTM Hong Kong, July 6, 1991” (Note 2)
－Musical Elements of Noh : a demonstration of the use of the voice. Richard Emmert. 1 sheet. Printout (photocopy) (Note 2)
－The interpretation of cultures : selected essays by Clifford Geertz. New York : Basic Books, 1973. Includes photocopy of title page, contents, preface and chapter 1 (Note 2)
－VII. The music compositional process as a function in a nest of functions and as in itself a nest of functions. 29 sheets (pages 139-167). Photocopy. With handwritten notes. “Studies in musicology 1935-75. Seeger, 1977 Berkeley.” With duplicate copy (without handwritten note) (Note 2)
－Analysing popular music : theory, method and practice. By Philip Tagg. 16 sheets (pages 37-67). Photocopy. “Popular music 2 (1982)” (Note 2)
－The philosophy of art history. 44 sheets (pages [279]-365). Photocopy (Note 2)
－《語言音樂學綱要》目錄。手稿1葉 (Note 2)
－Analysing popular music : theory, method and practice. By Philip Tagg. 13 sheets (pages 37-43, 50-67). Photocopy. With handwritten markings (Note 2)
－唐詩的審美特徵。排印本6葉（頁206-217）。影印本 (Note 2)
－Physical and verbal behavior. 7 sheets (pages 103-122). Photocopy. With handwritten notes. A chapter of the book The anthropology of music, by Alan P. Merriam (Note 2)
－Contextual strategies of inquiry and systematization. J.H. Kwabena Nketia. 6 sheets (pages 75-97). Photocopy. With handwritten notes. “Ethnomusicology, winter 1990” (Note 2)
－文化中國的傳承－－過程中之一形態。陸惠風。手稿16葉（影印本）。”九一・五・三” (Note 2)
－Sources of evidence and criteria for judgment in the critique of music. By Charles Seeger. 16 sheets (pages 261-276). Typescript, with handwritten notes (photocopy) (Note 2)
－VIII. Prescriptive and descriptive music writing. 7 sheets (pages 168-181). Photocopy. With handwritten markings (Note 2)
—XV. Versions and variants of the tunes of “Barbara Allen.” 25 sheets (pages 273-320). Photocopy. With handwritten notes on verso of page 320 (Note 2)
－China’s path from communism. Andrew J. Nathan. 7 sheets (Note 2)
(pages [30]-42). Photocopy. Journal of democracy, vol. 4, no. 2 (April 1993). “I find this very instructive, Charles” (Note 2)
－Linguistic diversity and language relationships. By W.S.-Y Wang. 10 sheets (19 pages). Printout (photocopy). “ICCLL-I, Singapore 1992.” With handwritten markings. Autographed copy from 士元to Iris, dated 92.7.9 (Note 2)
－從傳統素材創新中國當代歌樂。趙琴。排印本（影印本2葉）(Note 2)
－歌如貫珠雲遮月－－向傳統聲樂藝術的縱深探源（上）。趙琴。排印本1葉（影印本）(Note 2)
－《古詩文吟誦集》編纂計劃（初稿）。手稿2葉（影印本）。有手寫筆記。報事貼：To Do 中 (Note 2)
－略論漢語方言與民間音樂。章鳴。排印本1張（頁54）（不完整）。刊於《音樂研究》1991年3期。作者致趙如蘭簽名本，日期：1991.12 (Note 2)
－Text setting with the shipyi animated aria : a long footnote. John Spitzer, Cornell U. Music Dept. 5 July, 1978. 1 volume. Photocopy. 1 sheet of handwritten note inserted (Note 2)
－《中國京劇》1993第6期（總第12期）。主辦：文化部振興京劇指導委員會。第63頁：京胡伴奏 / 黃華云 (Note 2)
－日本雅樂的「亂聲」與中國清商樂「亂聲」考異。黃耀堃。1冊（頁[169]-[182）。《香港中文大學中國文化研究所學報》第15卷（1984年）抽印本 (Note 2)
－Choreometrics : a method for the study of a cross-cultural pattern in film. By A. Lomax, Irmgard Bartenieff, Forrestine Paulay. 1 volume (pages [505]-517). Offprint of: Sonderdruck aus Research Film, vol. 6, no. 6 (1969) (Note 2)
－理論和樂聲。陳應時文；艾文斯譯。打印本9葉（影印本）。With handwritten notes and markings (Note 2)
－Theory and notation. By Chen Yingshi, Christopher Evans. 10 sheets. Printout (photocopy) (Note 2)
－The Chinese University of Hong Kong 30th Anniversary Concert, presented by Chung Chi choir 崇基合唱團. 1 volume (56 pages). Program booklet. Date: 29th March 1993. Venue: City Hall Concert Hall (Note 2)
－Orthography in Scriabin’s late works. By Cheong Wai-Ling. 1 volume (pages 47-69). Offprint of: Music analysis, volume 12, number 1 (March 1993) (Note 2)
－昇華。范李彬曲。手稿4葉（影印本）。五綫譜，減字譜。”李彬自題於八二. 癸酉. 冬” (Note 2)
－對雪。 唐・子蘭和尚詩；范李彬曲。手稿1葉（影印本）。五綫譜，減字譜。”八二. 十二. 二” (Note 2)
－Readings. Includes:
1) 7. Black sacred song and the tune-family concept. Anne Dhu Shapiro. 9 sheets (pages [101]-117). Photocopy. From: New perspectives on music : essays in honor of Eileen Southern (Note 2)
2) A page from Hwa Chioupyng’s Pyiba Puu (A Collection of Pyiba Music) First ed. 1819. The earliest printed collection of pyiba music. 1 sheet. Photocopy (Note 2)
3) 論詞之起源。葉嘉瑩。排印本8葉（影印本）。《中國社會科學》1984年第6期。Florence 致 Iris 簽名本 (Note 2)
4) Deep significance and surface significance : is cantometrics possible?. Elli Köngäs Maranda. 12 sheets. Photocopy. “Semiotica, 2 (1970), 173-84” (Note 2)
5) A performative approach to ritual. By S.J. Tambiah. Oxford : Oxford University Press, c1981. 30 sheets (title page, pages [113]-169). Photocopy. “From The Proceedings of the British Academy, London, Volume LXV (1979)” (Note 2)
－Song : folk song and the music of folk song. By George Herzog. 23 sheets (photocopy). From: Funk & Wagnalls standard dictionary of folklore, mythology and legend. Includes title page, pages xii and 1032-1050 (Note 2)
－Studies in musicology, 1935-1975. VII. The music compositional process as a function in a nest of functions and in itself a nest of functions. By Charles Seeger. 1 volume (pages 139-167). Photocopy (Note 2)
－《音樂編譯參考》第3輯：外國音樂教育專輯。1993.12。主編：趙佳梓。上海音樂學院音樂研究所音樂文獻編譯室編印 (Note 2)
－中文大學校刊。一九九三年・秋。”三十周年校慶” (Note 2)
－Music as culture. 2nd edition. Marcia Herndon and Norma McLeod. Darby, Pa. : Norwood Editions, 1981. Photocopy (ix, 208 pages) (Note 2)
－Six Chinese songs. Re-arranged by Victor Chan. 1 volume (18 pages). 5-line staff notation. Lyrics in Chinese. Autographed copy to Rulan Pian, dated: 25 Jan. 94 (Note 2)
－Preliminary Application of the Computer Technique to GuQin Music Research. Chen Changlin（陳長林）. Photocopy. Journal of computer science and technology, vol. 5, no. 1 (1989), pages [85]-96. Autographed copy to 趙如蘭, dated: 1994年4月 (Note 2)
－《神奇秘譜》琴律探微（下篇）。喻輝。1冊（頁13-51）。作者致趙如蘭簽名本，日期：94年4月 (Note 2)
－巴則海族的祭祖歌曲及其他歌謠。李壬癸、林清財。1冊（16頁）。”民族學研究所資料彙編第三期抽印本。中央研究院民族學研究所中華民國七十九年七月出版”。李壬癸致如蘭簽名本，日期：1992.7.8 (Note 2)
－English and Chinese metres in Hsü Chih-mo. By Cyril Birch. London : Percy Lund, Humphries & Co. Ltd, 1961. 1 volume (pages 258-293). Offprint of: Asia Major, new series, vol. VIII, part 2. Autographed copy to Chao, dated: Jan. 1962 (Note 2)
－Lo Ka Ping, Cantonese musician = 盧家炳－－廣東的音樂家。Dale A. Craig 祁偉奧著。1 volume (photocopy)。《琴府》頁1983-1990。“原載香港 Arts of Asia 亞州藝術一九七一年十一・十二月聯號”。On cover: Music 198 (Note 2)
－1. Ethnomusicology: definitions, directions, and problems. Bruno Nettl. 9 sheets (photocopy). “From Music of Many Cultures: An Introduction. Ed. by Elizabeth May. U of Cal. Press, 1980.” “Muisc 198, Pian” (Note 2)
－曲譜四種，手稿（影印本），數字普，減字譜，包括：
1) 聽蜀僧濬彈琴。李白詩；王華德曲。1葉 (Note 2)
2) 蒹葭：詩經・秦風。魏子雲吟誦；林珀姬記譜；王海燕編琴譜。1葉 (Note 2)
3) 釵頭鳳。陸遊詞；王迪曲。2葉 (Note 2)
4) 古琹吟（相思曲）：琴學入門譜。張清治定譜。1葉。葉背：范李彬，國立藝術學院音樂系 (Note 2)
－Ancient and Oriental music. II. The music of Far Eastern Asia. 1. China. By Laurence Picken. 30 sheets (pages [83]-134). Photocopy. New Oxford History of music, Volume 1 (Note 2)
－From Chapter 86 of The Dream of the red Chamber (A Late 18th Century Novel). 10 sheets. Typescript (photocopy). “Passage on the Zither (ch’in, chyn, Qin).” ”MUS 198” (Note 2)
－The qin and the Chinese literati. By J.C.Y. Watt. 12 sheets (pages 38-49). Photocopy. “Orientations 1981 Nov.” “For Music 198 and Music 219” (Note 2)
－Music: Music in China. By Rulan Chao Pian. 4 sheets (pages 59-62). Photocopy. “For Music 198” (Note 2)
－Readings. 1 sheet. Holograph. Title only
－Music 198. 1 portfolio. Includes:
1) A romantic description of the use of work songs (from the novel, Jin Guang Dah Daw ‘The Great Golden Road’ by Haw Ran, Peking, 1972. p.166-167). Tr. by RCP. 2 sheets. Typescript (photocopy) (Note 2)
2) Photocopy of title page and book blurb of: A harp with a thousand strings (A Chinese anthology in six parts), compiled by Hsiao Ch’ien. 1 sheet (Note 2)
3) Sights and sounds of the Peking day ; Peking: serenade and aubade. By Osbert Sitwell. 4 sheets (pages 184-190). Photocopy (Note 2)
－Perspectives on the aesthetics of change : from the classical Chinese theatre to the revolutionary Peking opera. By Sophia Delza. 14 sheets (pages 22-48). Typescript (photocopy). “Music 198, from CHINOPERL papers 1977 no.7” (Note 2)
－Report on an experiment with yangge dance and music. By David Holm. 14 sheets (pages 92-105). Typescript (photocopy). “Reserve for MUS 198” (Note 2)
－Ballad and dance. George McKnight. 3 sheets (pages 30-38). Photocopy. “The critics & the ballad 1961. Readings selected & ed. by M. Leach & T.P. Coffin” (Note 2)
－Trained mice, monkeys, puppets, and ‘boats that run on land.’ 2 sheets (pages 23-24). Photocopy. “Tun/Bodde Annual Customs & Festivals in Peking 1965” (Note 2)
－瞎子阿炳曲集。楊蔭瀏、曹安和、儲師竹合編。上海：萬葉書店印行，1952。排印本36葉（影印本）。包括封面、書名頁、版權頁、目次、及頁5-19、22-32、34-39。報事貼：Story of Ah Biing (Note 2)
－Ah Biing the blind musician. 9 sheets. Typescript (photocopy). “A selected translation of 瞎子阿炳曲集 楊蔭瀏等合編 A collection of music by Ah Biing the Blind, compiled by Yang Yinnliou etc. Pub. By Wannyeh Book Co., 1952, Shanghai ‘Introduction’” (Note 2)
－Yang ko（秧歌）,the rural theatre in Ting-hsien, Hopei. By Chao Wei-pang. 1 volume (leaves 17-[40]). Photocopy. “(From Folklore Studies, 1944, no. 1)”—Cover (Note 2)
－Yung. Includes:
1) Choreographic and kinesthetic elements in performance on the Chinese seven-string zither. Bell Yung. 7 sheets (pages 505-517). Photocopy. Ethnomusicology, September 1984 (Note 2)
2) Da Pu : the recreative process for the music of the seven-string zither. Bell Yung. 14 sheets (pages 370-383). Photocopy. “From Music & Context, essays for John M. Ward. Harvard, 1985.” “Music 198 (Music 219)” (Note 2)
－4. Ballad and Dance. George McKnight. 5 sheets (pages 30-38). Photocopy. With handwritten markings. “Ballad origins and definitions” (Note 2)
－Letter from Len Holvik to Rulan Pian. 4/26/94. 1 sheet (2unnumbered pages). Holograph, signed (Note 2). Accompanied by: Echoes and shadows : integration and purpose in the words of the koto composition “Fuki” / Leonard C. Holvik. 1 volume (pages 445-477). Offprint of: Journal of Japanese studies, 18:2 (1992) (Note 2)
－《中大學生》第九十三期（一九九四年四月廿日）。包括第1-16、21-36版。第36版有：逸夫院長歌：調寄《逸夫書院院歌》(Note 2)
－《黃埔》1992年第1期（總第22期）(Note 2)
－《香港沙田車公廟 = New Che Kung Temple, Shatin, Hong Kong》明信片7張 。原插於《黃埔》1992年第1期 (Note 2)
－Silkroad : the inflight magazine of Dragonair = 絲路：港龍航空公司雜誌。April/May, 1994 (Note 1) (Note 2)
－航綫圖；西南絲綢之路（二）= Southwest Silk Road (Part II). 4 sheets (pages [12]-18) (detached from an identified issue of: 《西南航空》= Southwest Airlines) (Note 1) (Note 2)
－Tsinghua University facts 1993. 1 folded sheet (Note 2)
－《信報財經新聞》1994年1月6日第27-30版 (Note 2)
－《人民日報（海外版）》1994年4月2日第5-8版 (Note 2)
－《人民日報（海外版）》1994年4月6日第1-4版 (Note 2)
－官僚組織寵壞了作家，李歐梵呼籲解散作協。記者戴平。《明報》1994年4月22日 (Note 2)
－《中大學生》第九十三期（一九九四年四月廿日）第17-20版 (Note 2)
－《今虞琴訊》5（1992/12）。主編：許國華、陸潛。上海今虞琴社主辦 (Note 2)
－漢唐樂府藝術文化中心、漢唐樂府南管古樂團、余承堯紀念館。單張 (Note 2)
－中國古琴名琴名曲國際鑑賞會，韓國琴之夜。場刊。日期：1994年4月4日。地點：中國北京中央音樂學院小劇場 (Note 2)
－《八和匯報》1994年三月份 (Note 2)
－訴琴情：王國潼、王憓胡琴音樂會 = huqin concert by Wang Guotong and Wong Hae. 場刊1冊。”大會堂音樂廳 City Hall Concert Hall 6/5/94 (Fri星期五)”。有手寫筆記 (Note 2)
－民間傳奇音樂會。單張。區域市政局主辦；新聲國樂團演出。日期：1994年4月23日（星期六）。地點：屯門大會堂演奏廳 (Note 2)
－北平故宮北海公園；Tunhuang : a treasure house of art = 藝術的寶庫――敦煌；Miniature carvings。排印本2張（頁17-20）(Note 2)
－紅伶閨秀敬老粵曲大匯演。單張。藝術顧問：新馬師曾。”94年5月23日、28日新光戲院隆重公演” (Note 2)
－沙田大會堂節目 = Shatin Town Hall programmes. 1994 四月. 摺頁1張 (Note 2)
－Chung Chi College Staff Club Annual Ball 1994 cum Dinner in honour of Philip Shen. Leaflet. Date: 20 May 1994 (Friday) (Note 2)
－Chung Chi College, The Chinese University of Hong Kong, campus news = 香港中文大學崇基校園通訊。Vol. 30, no. 8 (April 16, 1994) (Note 2)
－民間傳奇，新聲國樂團 = The Chinese Legends, New Tune Chinese Orchestra。單張。”23.4.94 … 屯門大會堂演奏廳 Auditorium, Tuen Mun Town Hall.” With duplicate copy (Note 2)
－王國潼二胡講座及示範系列之二：怎樣理解與演奏二胡曲《二泉映月》= Wang Guotong, a series of lectures & demonstration on erhu (II) : how to appreciate and perform erhu piece Moonlight Reflected on the Erquan Spring。單張。”一九九四年六月十九日（星期日）晚上八時，沙田大會堂文娛廳” (Note 2)
－中國青年交響樂團 = China Youth Symphony Orchestra. Leaflet. “8-9.5.94 … 香港大會堂音樂廳 City Hall Concert Hall” (Note 2)
－Modern Chinese Cultural Studies and Cultural Criticism, conducted by Leo Ou-fan Lee. Information sheet on the 5 weekly seminars held April 14-May 12, at Chinese University of Hong Kong (Note 2)
－香港文化中心（週日）粵曲研唱推廣班（週六）粵曲齊齊唱晚會。杜宇粵樂曲藝中心單張 (Note 2)
－北方昆曲劇院。場刊1冊。”一九九四年三月十八至廿日 … 香港大會堂音樂廳” (Note 2)
－分享大地脈動的原始活力：1994台灣原住民族樂舞系列：阿美篇（南勢阿美）噶瑪蘭篇。摺頁1張 (Note 2)
－管樂競爭輝 = Symphonies of Winds。摺頁1張。香港中樂團。日期：1994年5月13-14日。地點：香港文化中心音樂廳 (Note 2)
－管樂競爭輝 = Symphonies of Winds。場刊1冊。香港中樂團。日期：1994年5月13-14日。地點：香港文化中心音樂廳 (Note 2)
－粵劇名曲傾城夜 = Cantonese Opera Theme Songs Night。場刊1冊。日期：1994年4月22日。地點：香港城市理工學院惠卿劇院。有手寫筆記 (Note 2)
－粵劇名曲傾城夜 = Cantonese Opera Theme Songs Night。單張。日期：1994年4月22日。地點：香港城市理工學院惠卿劇院。頁背有手寫筆記 (Note 2)
－國立中央研究院的幾位先生、國立藝術學院音樂系及其他大學的教授們。打印本1張（影印本）。名單。有手寫電話號碼 (Note 1) (Note 2)
－「中華民國聲樂家協會」就擔任「趙元任紀念系列活動」之研討會主講人致卞趙如蘭信函 (Note 2)。包括：
1) 何康婷致如蘭傳真。82.12.9。手稿1葉 (Note 2)
2) 何康婷致如蘭傳真。1993年7月22日。手稿1葉 (Note 2)
3) 何康婷致如蘭傳真。1993.11.13。手稿1葉 (Note 2)
4) 劉塞雲、何康婷致趙如蘭邀請函。民國82年10月16日。打字本1葉。有簽名及印章。附：趙如蘭與「中華民國聲樂家協會」契約書（日期：民國82年10月31日）(Note 2)
－旦調考辨（大會發言稿）。李來璋。打印本6 葉（影印本）。”參加（香港）國際傳統音樂學會第31屆大會論文” (Note 2)
－31st ICTM World Conference, Hong Kong, 3-9 July 1991. Delegates list. 4 sheets. Printout (photocopy) (Note 2)
－滿族民歌新論。楊久盛。1 冊（27 頁）。”瀋陽音樂學院一九九一年六月” (Note 2)
－Programme, Thirty-First World Conference of The International Council for Traditional Music, July 3-9, 1991, Hong Kong = 第三十一屆國際傳統音樂學會世界年會，香港，一九九一年七月三至九日，會議日程。1 volume (unpaged). With handwritten notes (Note 2)
－Abstracts of papers read at the Thirty-First World Conference of The International Council for Traditional Music, July 3-9, 1991, Hong Kong = 第三十一屆國際傳統音樂學會世界年會，香港，一九九一年七月三至九日，論文提要。1 volume (128 pages) (Note 2)
－關於女作曲家劉莊的資料，包括：
1) 劉莊室内樂作品音樂會 = Chamber Music Concert of Liu Zhuang’s Works。1987.5. 北京音樂廳。場刊。”中央樂團《星期音樂會》第402期” (Note 2)
2) Zhang Yan, China’s foremost zhengist, performs Liu Zhuang’s “Guangling Ballad” with Symphony of the Mountain …山嶽交響曲 ; Symphony of the Mountain : Contra Costa’s Resident Professional Orchestra 1983-84 season. 1 sheet (photocopy) (Note 2)
3) 深情委婉，活潑清新－－劉莊室内樂作品賞析。梁茂春。影印本。《人民日報》1987年7月11 日第8版 (Note 2)
4) 追求永無窮期－－劉莊音樂創作簡論。梁茂春。影印本。”1987.8期人民音樂雜誌《當代音樂家專輯》” (Note 2)
5) 塔什庫爾干印象：劉莊室内樂作品音樂會隨想。謝嘉辛。影印本。《人民音樂》1987年第8期 (Note 2)
6) 中央樂團明公演民族交響樂新作品；中西合璧，古今交融：三首雙箏協奏曲唱片磁帶不日問世；劉莊的室内樂作品《樂壇新聲》介紹。1981年3月16日 – 1983年10月15日。剪報3篇（影印本1葉）(Note 2)
7) 邊城的笛聲；女作曲家劉莊。剪報2篇（影印本1葉）(Note 2)
8) 劉莊與《黃河》鋼琴協奏曲。葉純之。影印本。香港《新晚報》1986年8月1日 (Note 2)
9) 1984.3.20 美舊金山報紙評論文章。Typescript with handwritten Chinese text (photocopy). Includes English text and Chinese translation of the review by Jeanie R. Walkland for Contra Costa Times (Note 2)
－劉靖之編《中國新音樂史論集》宣傳單張 (Note 2)
－《光明日報》1988年6月4日。報紙1張（4版）。第2版包括：”通俗歌手應當少模仿，多創造”――訪台灣著名歌星包娜娜 / 陳可 (Note 2)
－《北京晚報》1988年6月2 日。報紙1張（4版）。第3版包括：通俗唱法爲何不通俗 / 魏廉 (Note 2)
－《南京日報》1988年5月2 日。報紙1張（4版）。第4版包括：秦淮河畔話”白局”――訪74歲老藝人梁漢臣 / 曉潭、許文勇。附：人民教育出版社徵訂單張 (Note 2)
－《人民日報（海外版）》1988年6月2 日。報紙1 張（第1-4版）(Note 2)
－《工人音樂報》1988年5月10日第9期（總第77期）。報紙1張（4版）(Note 2)
－《北京日報》1988年6月8 日。報紙1 張（4版）(Note 2)。第2版。包括：
1) 工程師與”音樂家”──鄧忠凡小記 / 趙青 (Note 2)
2) 廠内有了「曲藝茶座」／吳苑 (Note 2)
－《世界日報》中華民國80年2月27日第11-12版。報紙半張 (Note 2)
－無詞歌（女高音獨唱）。劉莊曲。排印本3張（頁14-19），影印本。五綫譜 (Note 2)
－董光光鋼琴演奏會。場刊。”中央樂團《星期音樂會》第434期。1988.6.6 北京音樂廳” (Note 2)
－Chinese pottery figurines. [Toronto] : University of Toronto Press : Royal Ontario Museum of Archaeology, c1950. 1 volume (4, [12] pages) : chiefly illustrations ; 20 cm (Note 2)
－Bibliography attached to the special area statement by Ann M. 7 sheets. Printout (Note 2). Includes:
1) General approach: ethnomusicology. 2 sheets. With handwritten message from Ann M. to Pian. “8/8” (Note 2)
2) II. Studies of the Wabanaki Indians. 3 sheets (Note 2)
3) Wabanaki studies including ethnomusicological research. 2 sheets (Note 2)
－Letter from Masato Nishimura to Pian. 10/25/89. Holograph, signed. Originally pasted on verso of sheet [1] of: An intellectual circle of the Ming-Qing transition (Note 2)
－An intellectual circle of the Ming-Qing transition. By Masato Nishimura. 13 sheets. Printout, with handwritten Chinese (photocopy). On the novel《女仙外史》(Note 2)
－Musical examples and musical knowledge : a comparison of musicological and ethnomusicological approaches. By Joseph S.C. Lam. 14 sheets. Printout. “Paper presented at ICTM/IMS Joint Colloquium, ‘Ethnomusicology and Historical Musicology: Common Goals, Shared Methodologies?’ Mainz, Germany, March 1991.” (Note 2)
－簡論薩迦班智達・貢噶堅贊《樂論》。彭措青繞。打印本（影印本）。”1991.4.拉薩” (Note 2)
－旦調考辨。李來璋。吉林省藝術研究所。一九九一年四月。１冊（28頁）。”參加（香港）國際傳統音樂學會第31屆大會論文” (Note 2)
－二十世紀東西方文化衝突與交融中的中國古琴藝術。林友仁。排印本（頁13-22），影印本。”《藝苑》90年第三期”。作者致趙如蘭簽名本，日期：91.6.29 (Note 2)
－Rhythm in the Shen Qi Mi Pu. 9 sheets (9, [9] pages). Typescript (photocopy). Includes scores of 4 versions of 《華胥引》(Note 2)
－The relationship between percussive music and the movement of actors in Peking opera. By Hao-Hsing Yao. 1 volume (pages [39]-70). Offprint of: Asian music, volume 21, number 2 (spring/summer 1990). Autographed copy from 姚海星 to 趙教授如蘭, dated: 一九九一. 五. 二十八. Attached with post-it note with message from the author, dated 5/28/91 (Note 2)
－Association for Chinese Music Research 中國音樂研究會 Newsletter, Volume 4, no. 2, summer 1991. Published by the Music Department, University of Pittsburgh (Note 2)
－Letter from Rulan Chao Pian to Mali-San. Sept 2, 1991. 1 sheet. Typescript, signed (carbon copy)
－A reconstruction of the junshi-ôjô-kôshiki. By Mine Masahiko. 1 sheet. “Thirty First World Conference of the ICTM Hong Kong, July 6, 1991” (Note 2)
－Musical Elements of Noh : a demonstration of the use of the voice. Richard Emmert. 1 sheet. Printout (photocopy) (Note 2)
Dates
- 1944-1994, undated
Language of Materials
Chinese or English
Conditions Governing Access
Note 1: Contains personal data or sensitive information; access restricted
Conditions Governing Use
Note 2: Copyright restrictions may apply
Extent
1 file(s)
Creator
- From the Fonds: Pian, Rulan Chao, 1922-2013 (Creator, Person)
Repository Details
Part of the CUHK Library Archival Collections Repository
Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk