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Modern China-Untitled folder, 1981, 1985-1987, undated

 File — Box: 9, Folder: 9
Identifier: 0039_PER_Pian_Series_1_Subseries_9_Folder_9
-太極。一九八七年四月。手稿1葉(影印本)。五線譜。八七年六月二十日,趙曉生贈予趙如蘭 (Note 2)

-陰陽三闕(為十六位演奏員而作)。一九八七年一月。手稿6葉(影印本)。五線譜。八七‧六‧二十日,趙曉生敬贈趙如蘭。包括陰陽三闕演奏說明 (Note 2)

-趙曉生致趙如蘭信函。一九八七年七月三日。手稿2葉 (Note 2)。附文章三冊,包括:

 1) 現代作曲家的夢囈。趙曉生。排印本(影印本)。Shanghai Artists Vol. 2, 1987 (Note 2)

 2) 主體‧多元‧探索──交響音樂創作中的現代意識綜述。裘所。排印本(影印本)。《音樂愛好者》87/(三) P.4 (Note 2)

 3)《敦煌唐人曲譜》節奏另解──與葉棟先生商榷。趙曉生。排印本(影印本)。Art of Music Vol. 2, 1987 (Note 2)

 4) 喬治‧克拉姆音樂的抒情性格與戲劇意識。趙曉生。排印本(影印本)。Art of Music Vol. 3, 1986 (Note 2)

 5) 第十二屆“上海之春”我院獲獎節目。排印本(影印本)(Note 2)

 6) 二十世紀音樂的先行者──紀念著名美國作曲家查理‧艾夫斯誕生110周年,逝世30周年。趙曉生。排印本(影印本)(Note 2)

 7) 勇於冒險的一代歌王──弗朗克‧辛納特拉。趙曉生。排印本(影印本)(Note 2)

 8) 電子音樂縱橫談。趙曉生。排印本(影印本)(Note 2)

 9) 電子音樂技術概論。趙曉生。排印本(影印本)。Musicology in China 1985 (Note 2)

 10) 二十世紀音樂對浪漫主義的反叛。趙曉生。排印本(影印本)。Art of Music Vol. 1, 1987 (Note 2)

 11) 新浪漫主義合力論。趙曉生。排印本(影印本)。Musicology in China Vol. 4, 1986 (Note 2)

 12) 二十一世紀音樂與新浪漫主義崛起 = Twenty-first Century’s Music and The Rising of Neoromanticombinism。趙曉生。排印本(影印本)。Musicology in China Vol. 3, 1986 (Note 2)

 13) “合力論”產生的原由及其內核。趙曉生。排印本(影印本)。Music Research Vol. 2, 1987 (Note 2)

 14) 我心中的“希望之神”。趙曉生。排印本(影印本)。文匯報 1986.5.19 (Note 2)

 15) “希望”在合力中昇華:對趙曉生在《希望之神》中“合力論”的淺析。方之文 (Note 2)

-Qu enters new kingdom. By Cinty Li and Helen Wong. About Chinese composer Qu Xiaosong. South China Moring Post. July 31, 1987. Page 17 (Note 2)

-關於發展民族音樂的通信。李凌、宋振庭。《人民日報》。談中華民族音樂 (Note 2)

-從龍宮奇緣的演出談到中國歌舞劇的發展。《中國雜誌》中華民國七十一年一月號。53-82頁 (Note 2)

-聽「中國現代音樂」在紐約的演出。李釗明。排印本。46頁 (Note 2)

-音樂,在人間相會──訪作曲家溫隆信。林大悲。排印本。42-43頁 (Note 2)

-聲情兼優、扣人心弦──聽台灣女高音呂麗莉的獨唱會。史君良。排印本。44-45頁 (Note 2)

-黃河 = Concert - Yellow River. March 1, 1981. M.I.T Chinese Students’ Club presents M, an orchestra conducted by David Chu, Kathleen Kong Forgac, Piano Soloist. Program booklet (Note 2)

-America’ s Premier Performance of The Butterfly Lovers = 梁祝小提琴協奏曲。Ho Zhan-Hao & Chen Kang. Oct 18. MIT Chinese Students’ Club. The Civic Symphony Orchestra of Boston. Max Hobart, Conductor. Soloist: Lynn Chang. Program leaflet (Note 2)

-Letter from Rulan Chao Pian to whom this may concern. Dec. 29, 1981. 1 sheet. Typescript, signed (carbon copy). Writing about Gewu-ju

-Concert of Contemporary Music from the People’s Republic of China. December 14, 1981. Joint Presentation with the Center For Us – China Arts Exchange. Chou Wen-chung, Director. With the co-operation of the Chinese Musicians Association of Beijing. Lü Ji, Chairman. Program (Note 2)

-China’s New Music Play. Shen Cheng-zhou and Shen Ai-li. 11 sheets. Typescript (photocopy). On Xin-ge ju. Includes resume of Shen Cheng-zhou 沈承宙。With handwritten notes (Note 2)

-Concert of Contemporary Music from the People’s Republic of China = 現代中國音樂會。December 14, 1981. Joint Presentation with the Center For Us - China Arts Exchange. With the co-operation of the Chinese Musicians Association of Beijing. Program leaflet (photocopy). With handwritten notes (Note 2)

Dates

  • 1981, 1985-1987, undated

Language of Materials

Chinese or English

Conditions Governing Access

Note 1: Contains personal data or sensitive information; access restricted

Conditions Governing Use

Note 2: Copyright restrictions may apply

Extent

1 file(s)

Creator

Repository Details

Part of the CUHK Library Archival Collections Repository

Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong