Other related courses－余少華, 1986, 1989-1997, undated

－Photo of Yu Siu-wah playing erhu (Note 1) (Note 2)

－Reply from Rulan Pian to Siu Wah to his long fax and also on a photo of her playing the erhu. Holograph. Dated April 21, 1997

－Birthday greetings from Bobo, Lydia, and Siu Wah to Pian. Facsimile dated 21st April 1997 (Note 2)

－Seminar on Chinese Large Instrumental Ensemble Music Held in Hong Kong. 9th March 1997. Facsimile dated 21-04-1997 (Note 2)

－Updates from Rulan Pian to Siu-wah and request for a copy of a paper written by Pian on the meeting in Taiwan celebrating her father’s 100th anniversary. With hand written corrections and notes. Dated Oct 8, 1995

－Facsimile from Rulan to Siu-wah on some minor corrections. Dated 12/21/95

－Bill from Mount Auburn Hospital to Yu Siuwah. Facsimile date 20-12-1995. With a duplicate copy. With handwritten notes (Note 1) (Note 2)

－Letter from Reinhold Brinkmann to Siu-wah on the registration of Graduate studies at Harvard (Note 1) (Note 2)

－Silog (Poem, Introduction). Example IIIB Manchu version and example IIb Mongolian version. 5-line staff notation. Text in Munchu language with its Romanization (Note 2)

－Erhu recital : Cantonese music. Concert on March 14 at Adams House. With a duplicate copy. With Chinese translation of names and titles (Note 2)

－Banquet music of the 18th century Manchu court. Siu Wah Yu. 15th April 1992. With tentative table of contents and quotations. With handwritten notes and markings (Note 2)

－The transmission and functions of banquet music in the Manchu court of the Qing dynasty. Siu Wah Yu. 15th April 92. With tables on China under non-Chinese regimes, historical sources & government documents, Lü Lü Zheng Yi, 10 categories from the preface of the sequel, instrumentations, normal banquet procedure of annual feastdays, categorization of dance in the Manchu court, seating plan for the banquet at Taihe Palace, and glossary (Note 2)

－“Fawn amble horse” (Mongolian version) and “Yellow ambling horse Yellow ambling” (Manchu version). Siu Wah Yu. With English translation. With duplicate copy. With handwritten notes (Note 2)

－A concert of Chinese Music. Presented by Adams House Music Society. Siu-Wah Yu, performer. Concert held on March 14 at 7:30 pm at Adams House Lower Common Room. With duplicate copy (Note 2)

－裴禹唱蕉窗夜雨。工尺譜及唱詞。複本。有註釋 (Note 2)

－蕉窗夜雨。工尺譜。Example 4a: melodic skeleton in Gongche notation. From Shi Zhao-yuan (1986) (Note 1)

－Facsimile from Rulan Pian to Siu-wah. Updates and asking for help. With duplicate copy. Faxed on Oct 23, 92 (Note 1)

－Letter from RCP to Siu-wah about her whereabouts, her visit to Prof. Shigeo Kishibe, and the close relationship between the research of Shigeo Kishibe and Siu-wah. Dated Aug 20, 1994

－Letter from RCP to Siu-wah on his research topic and her updates. Dated Sept 8, 1994. With handwritten notes

－Updates from Siu Wah to Pian. Facsimile dated 3rd February 1996 (Note 1) (Note 2)

－Updates from Rulan to Siu-wah. Facsimile dated Feb. 11, 1996. With handwritten notes

－List of unpublished titles by Pian. Checked and updated by Siu Wah Yu. Faxed to Bell on 2/10/92 (Note 2)

－The meaning and cultural functions of non-Chinese Musics in the eighteenth-century Manuchu court. A thesis presented by Siu-Wah Yu to The Music Department, Harvard University in March 1996. Cover, abstract, and table of contents (Note 2)

－Updates of Pian. Letter to Siu Wah dated July 27th, 1997. With handwritten notes

－Updates from Siu Wah. Facsimile to Pian on 6th December 1996. With handwritten notes (Note 1) (Note 2)

－Attached also the press release for his trips

－Updates from RCP. Letter to Siu-wah dated June 22nd, 1994 (Note 1)

－Facsimile from Siu Wah to Pian seeking for comments on the acknowledgement and conclusion of his dissertation. Dated 21st December 1995. Attached also the acknowledgement and the conclusion (Note 2)

－Facsimile from Ted Pian to Siu-wah about the loss of his wallet. Dated Nov 28, 1992

－Letter to Mt. Auburn Hospital from Yu Siu-wah on the bills. Dated 19th December 1995. With a copy of the bill (Note 1) (Note 2)

－Facsimile from Siu Wah to Pian with the abstract and notes on transliteration of his dissertation. Dated 25th December 1995 (Note 2)

－Acknowledgement and Chapter 6 (Conclusion). With handwritten corrections (Note 2)

－Letter from Rulan to Siu-wah on a bill from Mount Auburn Hospital and copies of Harvard Magazine (Note 1)

－Comments on the dissertation by Kay Kaufman Shelemay (Note 1)

－Letter from Rulan Chao Pian to Siu-wah about the quality of his faxed letter and the letter for Mt Auburn Hospital. Dated Dec 19, 1995. With hand written notes (Note 1)

－Invitation letter for the Pitt Visa Card (Note 2)

－Correspondence with Mt Auburn Hospital (Note 1)

－The graduate school fund, Harvard Graduate School of Arts and Sciences. Gift donation. Card and letter (Note 2)

－Facsimile from Siu Wah to Pian on the trouble with the Mt. Auburn Hospital bills (Note 1) (Note 2)

－少華 Review on Yung’s book (Note 2)

－少華給呂先生有關英譯先生之自傳的親筆信。九零年三月八日 (Note 1) (Note 2)

－少華 report Nov.1. 89 (Note 1) (Note 2)

－Letter from Rulan Chao Pian to Dean Blackman on letting Siu-wah teaching an additional fifth during the spring term. Dated February 15, 1991. With a draft. With handwritten markings and corrections (Note 1)

－波士頓通此訊 Free Chinese Monthly 204, April 1989. 中華民國七十八年四月 (Note 2)

－Update from Seattle on the intensive Manchu course. Postcard dated 25/7/89 (Note 1) (Note 2)

－Letter from Siu Wah Yu to Lockwood, chairman and professor Brinkmann, director of graduate studies on the ethnomusicology program at Harvard University. Dated 17th May 1990 (Note 1) (Note 2)

－Letter to Pian from Yu Siu wah with updates and about the letter to Lockwood and the responses. Dated 17th May 1990 (Note 1) (Note 2)

－Letter from Reinhold Brinkmann to Siu-wah about the progress of his dissertation. Dated June 1, 1993 (Note 1) (Note 2)

－Facsimile from Siu Wah to Pian with updates about his life in Hong Kong. Dated 25th Sept, 94 (Note 1) (Note 2)

－Facsimile from Rulan Chao Pian to Siu-wah about their itinerary. Dated 9/25/1994

－Application for non-resident status at Harvard University by Yu Siu-wah. Form signed on 1st March 95 (Note 1) (Note 2)

－Facsimile from Siu Wah Yu to Pian with updates from Siu Wah and about his research. Dated 11th May 1995 (Note 1) (Note 2)

－Facsimile from Rulan Pian to Siu Wah about their plan in the summer 1995. Dated May 10th 1995

－Facsimile from Rulan Pian to Siu Wah on his student status and the progress of his thesis. Dated May 10, 1995 (Note 1)

－Letter from Lewis Lockwood to Margot about the status of Roberta Lukes and Siu-Wah Yu. Dated May 9, 1995 (Note 1) (Note 2)

－Whereabouts from May 14 to Feb. Holograph

－Facsimile from Siu Wah to Pian about Pian’s bank account in Hong Kong and on his travelling arrangement to Brattle Circle. Dated 8th June 1995 (Note 1) (Note 2)

－Two pages of writing by 余少華. With handwritten corrections and markings (Note 2)

－Facsimile from Rulan Pian to Siu-wah about his thesis committee and the progress of his thesis. Dated Nov. 11, 1995 (Note 1)

－Letter from Mt Aub to Siuwah Yu and handwritten reply from Rulan Chao Pian. Dated 12/12/95 (Note 1) (Note 2)

－Letter from Rulan Chao Pian to Siu-wah about her bank accounts in Hong Kong. Dated January 10, 1998 (Note 1)

－Email from Siu Wah to Mr. & Mrs. Pian on Pian’s bank book, her visiting professorship application, and the planning of a qin concert. Dated 98-01-09. With a duplicate copy in facsimile format (Note 1) (Note 2)

－Letter from Branch Manager of Hand Seng Bank Limited to Pian in regards to her request of a letter stating the total interest that she received from her accounts. Dated 18 May 1995 (Note 1) (Note 2)

－Facsimile to Pian from Siu Wah about an email sent on 10th Jan 98. Holograph (Note 2)

－Email to Pian from Siu Wah about her bank account and her HK visit. Dated 1/27/98. With handwritten notes (Note 1) (Note 2)

－Email from Rulan & Ted to Siu Wah about bank accounts, letters belonging Siu Wah and the AAS-Chinoperl meetings. Dated 2/17/98

－Research Grants Council external assessment form filled by Rulan Chao Pian in accessing a project proposed by Siu Wah Yu. Dated 4/29/1998 and 4/30/98 (Note 1)

－Letter from Marcus Tsui, Deputy Secretary of Research Grant Council about accessing a research grant proposal (Note 1) (Note 2)

－Guidelines for Panel Members and External Assessors (Note 1) (Note 2)

－Application for Allocation from the Earmarked Grant for Research 1998-99 (Note 1) (Note 2)

－Facsimile from Siu Wah to Mr. & Mrs. Pian on his updates and asking Prof. Pian’s availability for being Wei Lun Professor at CU. Dated 11-06-1998 (Note 1) (Note 2)

－Email from Siu Wah to Mr. & Mrs. Pian on the arrangement of the Wei Lun Professorship at CU. Dated 98-08-03 (Note 1) (Note 2)

－Reply from Rulan to Siu Wah to his email and faxed letter. Dated 98-08-04. With handwritten corrections and notes. With a duplicate copy. With handwritten corrections

－Email from Rianna Leung to Pian requesting for information of Pian and Pian for medical insurance and on the hotel arrangement. Dated 98-08-10 (Note 2)

－Email from Rulan Chao Pian to Rianna Leung with information for their trip. Dated 8/13/98 (Note 1)

－Email and faxed message from Siu Wah to Pian with recent updates and the arrangement of the stay and lectures in Hong Kong. With handwritten marking. Faxed on 10 Aug 1998. With duplicate copies. With handwritten markings (Note 2)

－Email to Siu Wah on the arrangement of her lecture entitled “The ethnomusicological approach to Chinese music studies” on Dec 7th, 1998. Attached her CV, and her and Mr. Pian’s personal information. Dated August 13, 1998 (Note 1)

－Email reply from Siu Wah to Pian on confirming the details of the Wei Lun Professorship. Dated 98-08-13 (Note 2)

－Email from Siu Wah to Pian about the arrival and installation of a set of bell-chimes from Wuhan and the other instruments collected by the music department. Dated 98-10-13 (Note 1) (Note 2)

－Facsimile and email from Siu Wah to Mr. & Mrs. Pian about his trip for the AAS conference and the Brattle circle. Dated 1999/3/8 (Note 1) (Note 2)

－Birthday greetings from Siu Wah, Lydia, and Bobo and about a package of video tapes from Siu Wah. Dated 99-04-19 (Note 1) (Note 2)

－Birthday greetings from Jialin to Dayi. Dated 99-04-19 (Note 2)

－Email from Siu Wah to Mr. & Mrs. Pian about his plan to Washington D. C. and to Boston. Dated 5/24/00. With handwritten reply from Rulan & Ted dated 5/28/00 on their whereabouts (Note 1) (Note 2)

－Email from Siu Wah to Mr. & Mrs. Pian about Kwan Yin Yee’s visit to the Boston and other updates. Dated 5/31/00 (Note 1) (Note 2)

－Holograph from Rulan to Wiu Wah in reply to the email dated 99-04-19

－Email from Siu Wah to Pian about the arrangement of the trip to Hong Kong. Dated 98-11-10 (Note 2)

－Email from Nova to Iris and Ted. 有關Nova的搬家及Iris 及 Ted 的回來. Dated 98-11-10 (Note 1) (Note 2)

－Email from Siu Wah to Mr. and Mrs. Pian on his whereabouts and the visit of Yinyee. Dated 7/14/00 with handwritten reply by Rulan (Note 1) (Note 2)

－Email from 君若 to Ted and Iris about her computer and the chapters on 靈山 (Lingshan/Soul Mountain). Dated 10/19/00 (Note 1) (Note 2)

－Email from Siu Wah to Pian. With updates and gratitude for her support on her work and her generosity to accommodate Yinyee. Dated 10/17/00 (Note 1) (Note 2)

－Email from Richard Chi to Colleagues of the CLTA and Kenyon Chinese List, through Madeline Chu about the passing of Gregory Chiang. Dated 10/16/00 (Note 1) (Note 2)

－Theme Song: 50th Anniversary Celebration fo the Chung Chi College. Music by Victor Chan, Words by Yu Siu Wah. 用粵語演唱。With handwritten notes to Professor Pian Chao Rulan from Siu Wah, on 31/8/01 (Note 2)

－少華給卞太太、先生之親筆書函。有關近況及送上崇基五十週年主題曲。零一年九月卅一 (Note 1) (Note 2)

－Program and content to a three-CD set which is about Western idioms, Chinese music history, music and theatre, classification of instruments (wind, plucked-string, guqin and bowed-string) and their music. Copy. With duplicate copy (Note 2)

－《大地之歌》唐詩以外之句。余少華。發表於「馬勒《大地之歌》研討會」。香港城市大學文康委員會、中國文化中心及香港舞蹈團聯合主辦 Jointly organized by CityU Cultural & Sports Committee, Chinese Civilisation Centre and Hong Kong Dance Company。2000.11.7 ~ 11.8. Copy (Note 2)

－我在堂區與修會的個人經歷。余少華。發表於「香港宗教口述歷史研討會」。香港中文大學宗教系、人文學科研究所香港文化研究中心。二零零三年二月二十二日。影印本 (Note 2)

－World new music magazine. Number 12, November 2002. Cover and contents. “Identity as a Problem of Hong Kong Composers (Yu Siu Wah)” highlighted. Sent from Siu Wah to Pian on 7/4/2003 from Hong Kong. Copy (Note 2)

－the world of music. Vol. 43(2+3)-2001 “Folk Music in Public Performance.” Cover and contents. “Mittler, Barbara. Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan and the People’s Republic of China since 1949.” Reviewed by Yu Siu Wah. Sent from Siu Wah to Mrs. Pian on 7/4/2003 from Hong Kong. Copy (Note 2)

－班特維斯基「科學概念」與音樂：廣島受難者的輓歌。余少華。Krzysztof Penderecki and his concepts in science and music: Threnos – To the victims of Hiroshima. Yu Siu Wah. Pp. 18-19. Copy (Note 2)

－Blank paper

－Mittler, Barbara. Dangerous tune: the politics of Chinese music in Hong Kong, Taiwan and the People’s Republic of China since 1949. Reviewed by Yu Siu Wah. the world of music. Vol. 43(2+3)-2001 “Folk Music in Public Performance.” Pp. 255-257. Copy (Note 2)

－Yellow music: media culture and colonial modernity in the Chinese jazz age, by Andrew F. Jones. Reviewed by Yu Siu Wah. The China review: an interdisciplinary journal on greater China. Volume 2, Number 2 (Fall 2002), pp. 144-147. Copy (Note 2)

－從四個港產《梁祝》版本看大陸文化在香港的本土化。余少華。中國音樂研究在新世紀的定位：國際學術研討會論文集。人民音樂出版社。頁1042-1058。影印本 (Note 2)

－黃梅調電影中的音樂鄉愁。文：余少華。二零零三年二月號。國語片在香港的文化功能，普通話與普通樂，聶耳的遺風。影印本 (Note 2)

－懷舊聲裏的老問題。余少華。明報。16.11.02。影印本 (Note 2)

－情深樂章賀金禧。月堯。大公報。二零零二年三月二十二日。從祟基金禧音樂會至中大音樂系的生活。影印本 (Note 2)

－Blank paper

－World Music CD-Rom for Undergraduate Teaching (China). 2001. Principal investigator Yu Siu Wah. Reviewed by Lee Tong Soon. 2002 Yearbook for traditional music, pp. 217-218. Copy (Note 2)

－Thrasher, Alan R. Chinese Music Instruments. Reviewed by Yu Siu Wah. 2002 Yearbook for traditional music, pp. 208-210. With contents of the yearbook. Copy (Note 2)

－“Identity: As a problem of Hong Kong composers.” By Yu Siu Wah. From the western influence on the compositions for Chinese instruments, temperament, to instrumental music. Copy (Note 2)