Other related courses－Bell Yung 1, 1992 - 1999
File — Box: 4, Folder: 17
Identifier: 0039_PER_Pian_Series_1_Subseries_4_Folder_17
－A card from Bell dated 4/20/96 (Note 2)
－Greetings from Bell to Pian and about his life in Hong Kong. Facsimile dated August 13, 1996 (Note 2)
－Letter from Pian to Bell about a suitable person to write for an entry in Grove. 5/3/96. With handwritten notes, corrections, and markings (Note 2)
－Updates from Bell to Pian. 99-04-07 (Note 2)
－Letter from Iris to Bell about the deadline of Part II of the autobiography sketches. Dated August 13, 1996. With handwritten notes and corrections (Note 2)
－Letter from Iris & Ted to Bell about Bell’s father. Dated 3/27/97. Holograph (Note 2)
－Updates from Bell to Pian about life at HKU. Emails dated 97-06-03 and 97-06-05. With handwritten markings (Note 2)
－Email correspondence between Iris and Bell on the recording of her father’s text book Cantonese Primer. Email dated 97-06-08 (Note 2)
－Birthday greetings from Iris, Ted, Bella, Lei Liang, Yung Shen, and Joyce Chen to Bell dated July 21st 1997. With duplicate copy (Note 2)
－Postcard from B. to Rulan Chao Pian. Dated 6/14 (Note 2)
－Facsimile from Bell to Pian about the program for the Fifth International Conference on Ethnomusicology organized by Hsu Tsang-Houei. Dated September 5, 1992. With handwritten notes and markings (Note 2)
－Facsimile from Iris to Bell. About the Garland project, the concert on Sept 12th, and other. Faxed on 10/14/92 10:07pm. With handwritten notes (Note 2)
－Facsimile from Bell to Pian. On the outline for the volume East Asia for the Garland Encyclopedia of World Music. Dated January 18, 1992 (Note 2)
－Summary of the Celestial airs of antiquity: music of the seven-string zither of China, edited by Bell Yung (Note 2)
－Letter from G. Thomas Tanselle. On requesting her candid and critical appraisal of a candidate. For a Fellowship application. Dated November 1995. With handwritten markings (Note 2)
－Letter from Rulan Chao Pian to John Simon. A confidential report on candidate for fellowship. Dated on January 4, 1996. With handwritten notes (Note 2)
－Supplementary Statement 3: Statement of Plans, concerning the writing of a book on Cantonese narrative songs to be entitled A blind singer and his songs: Popular narratives in a Chinese teahouse (Note 1) (Note 2)
－Email correspondence between Pian and Bell for Pian being the external examiner at HKU. Dated 97-11-13 (Note 2)
－Email from Rulan to Bell for serving as an external examiner for the Hong Kong U. Dated November 12, 1996. With handwritten notes
－Updates from Bell to Pian. Facsimile dated December 12, 1996 (Note 1) (Note 2)
－Email from Iris to Bell about her trip to Hong Kong and the operation on her right eye. Dated Dec 12, 1996. With handwritten notes
－Greetings from Bell to Pian. Dated 97-01-27 (Note 1)
－Letter from Rulan Chao Pian to Assistant Registrar (Appointments) of the University of Hong Kong on the post of Readership/Senior Lectureship in Musicology at the University. Dated Dec 17, 1995. With handwritten corrections (Note 1)
－Acknowledgment for the receipt of Rulan Chao Pian’s confidential statement from John Simon Guggenheim Memorial Foundation. Dated January 10, 1996 (Note 1) (Note 2)
－Message from Bell to Pian concerning the proposed outline of the volume on China for the Garland Encyclopedia of World Music. Dated June 3, 1992. With handwritten notes (Note 2)
－Outline of the volume on China for the Garland Encyclopedia of World Music. With handwritten corrections and notes (Note 1)
－《中國近現代音樂史》目次。汪毓和著。北京音樂出版社，1984年2月。With handwritte and typednotes from Iris dated 6/4/92 to Bell about the structure of the book and her comments on page 1 of 2 (Note 2)
－Facsimile from Bell to Pian on the structure of a section on pop music. Holograph. Dated 6/4 (Note 1) (Note 2)
－Update from Iris to Bell. Dated 8-8 (Note 1)
－Facsimile from Bell to Pian requesting a short summary in Chinese for her article on fieldwork for the ICTM yearbook. Dated 1992-8-8 (Note 2)
－Facsimile from Bell to Pian on the segment on “Archeology of musical instruments.” Dated August 28, 1992 (Note 1) (Note 2)
－Facsimile from Iris to Bell about the Garland project, the concert on Sept 12th, and other. Dated 10/12/92. With handwritten notes to Siu-wah (Note 1)
－Facsimile from Bell to Pian about the Garland project, and SEM and AMS meetings. Dated October 8, 1992. With handwritten notes (Note 1) (Note 2)
－“Preparing a modern edition of a 15th century guqin repertory.” Bell Yung, University of Pittsburgh. With handwritten markings and corrections (Note 2)
－Friday noon recital. Facsimile. Organized by the Department of Music on Feb. 5, 1993 at the Music Bldg. 132 (Note 1) (Note 2)
－Greetings from Bell to Pian. Facsimile on May 15, 1993 (Note 1) (Note 2)
－Letter from Bell Yung to Pian to thank her participations in the conference in May on Chinese ritual music. Dated July 20, 1993 (Note 1) (Note 2)
－Harmony and counterpoint: ritual music in Chinese context. Edited by Bell Yung, Evelyn Rawski, and Rubie Watson. With summary and table of contents (Note 2)
－Letter from Wizurabu to Bell answering his questions. With handwritten markings, notes and Chinese translations to some words (Note 2)
－音樂學院期刊名稱及其他題目。有複本 (Note 2)
－Facsimile from Bell to Pian asking questions about the bibliography of her work. Dated August 5, 1993. Bibliography prepared by Siu-wah is attached. With handwritten markings (Note 1) (Note 2)
－Answers from Iris to Bell on 8/31/93. Holograph
－Charles Seeger and Modern Physics. Bell Yung. With handwritten markings and notes (Note 2)
－Bell Yung sends Pian the program of the in-house Departmental concert in which he is playing some Brahms. Faxed on Nov-30-93. With handwritten markings (Note 1) (Note 2)
－Facsimile from Iris to Bell on contacts of some people. Date 8/23/94. With handwritten corrections (Note 1)
－Facsimile from Bell to Iris asking for contacts of some people. Holograph. Faxed on Aug-23-94 (Note 1) (Note 2)
－Facsimile from Bell to Pian about his student being shortlisted in the search for a junior faculty member in ethnomusicology. Dated November 26, 1994 (Note 1) (Note 2)
－Memo dated on November 2, 1994 from Iris to Bell about her response when she was presented with the book which he had compiled. Holograph (Note 1)
－Letter to Bell about the search for ethnomusicologists at the Harvard Music Department. Typescript with holograph and handwritten markings (Note 1)
－Updates from Rulan Chao Pian to Bell Yung. Facsimile dated 1/17/95. With handwritten notes (Note 1)
－Facsimile from Bell to Pian on his piano and chyn playing, Pian’s autobiography, and his job application. Faxed on 16-Jan-1995. With handwritten notes and markings (Note 1) (Note 2)
－Facsimile from Iris to Bell questioning about Bell’s address and informing him about the job application procedure. Holograph (Note 1)
－Facsimile from Bell to Pian about her the progress of her autobiography and Chinoperl material, Mrs. Shen’s birthday celebration and a major performance by Danny and his team. Dated January 23, 1995 (Note 1) (Note 2)
－Facsimile from Bell to Pian about his contacts. Holograph. Dated 27-Jan-1995 (Note 1) (Note 2)
－Letter correspondence between University of California, Los Angeles and Rulan Chao Pian for a letter of reference. Letters dated January 13, 1995 and 1/30/95 respectively. With handwrittten notes (Note 1)
－Letter from Iris to Bell Yung c/o Danny Yung about the batch of returns of the questionnaires which Iris sent out to the Chinoperl Board of Directors. Dated Feb. 19, 1995. With handwrittten notes (Note 1)
－Facsimile from Iris to Bell concerning the place to send her second set of manuscript. Holograph. Dated 3/7/95 (Note 1)
－Facsimile from Bell to Pian to confirm her package had finally arrived at the dept. Holograph. Faxed on Mar-8-95 (Note 1) (Note 2)
－Letter from Bell Yung to contributors to the China Section, East and Inner Asia Volume, Garland Encyclopedia of World Music about his resignation from the editorship (Note 1) (Note 2)
－Facsimile from Bell to Pian about her manuscript and the translation of the title. Holograph. Dated 03.09.95 (Note 2)
－Facsimile from Bell to Pian on the addresses of various people that she needed and on her autobiography. Faxed on Mar-18-95 (Note 1) (Note 2)
－Facsimile from Bell to Pian on her autobiography and its short Chinese summary. Dated March 30, 1995 (Note 1) (Note 2)
－Letter from Iris to Bell on the translation of her autobiography and other issues about meeting up. Dated March 30, 1995. With handwrittten notes (Note 1)
－Birthday greeting to Bell Yung and his reply dated 7/22/95. Holograph (Note 1)
－Facsimile from Bell to Pian on the final draft of the next issue of Chinoperl papers. Faxed on Oct-14-95. With handwrittten notes and markings (Note 2)
－Facsimile from Iris to Bell with reply on the matters on Chinoperl papers. Dated on Oct 14, 1995. With handwrittten notes, corrections, and markings
－Letter from Assistant Registrar (Appointments) requesting opinion of an applicant’s qualifications and suitability for the post Readership/Senior Lectureship in Musicology. With handwrittten notes and markings (Note 1) (Note 2)
－Facsimile from Bell to Pian about his job application. Dated December 6, 1996 (Note 1) (Note 2)
－The music of Chou Wen-chung. Concert program. Presented by The Asia Society and Greenwich House Music School and performed by The New Music Consort on April 27, 1989 at Lila Acheson Wallace Auditorium, New York City (Note 2)
－Memo from Iris to Bell requesting a paper on “Three different kinds of organizing tune types.” Holograph (Note 1)
－Updates from Bell to Pian. Email dated 97-07-01 (Note 1) (Note 2)
－Email from Bell to Pian. With a copy of a paper entitled “Whose Family Values? Taxonomic, Genetic, and Cultural Approaches to Tune Family and Tune Identity” which he read at SEM conference in Toronto. With handwritten markings (Note 2)
－Paper by Bell Yung. Read at SEM conference in Toronto, 1996 With handwritten markings (Note 2)
－辛幸純給趙如蘭信函。有關 National Chiao Tung University, Institute of Arts 的人事空缺。傳真於 Jun 03, 94 (Note 1) (Note 2)
－Updates from Bell to Pian and giving a request of her article on 25 versions of xipi animated aria. Emailed dated 97-10-08 (Note 1) (Note 2)
－Email of appreciation from Bell to Pian for the copy of her text-setting article. Dated 97-10-10 (Note 2)
－Birthday greeting from Bell. A card (Note 2)
－Greetings from Bell to Pian and about his life in Hong Kong. Facsimile dated August 13, 1996 (Note 2)
－Letter from Pian to Bell about a suitable person to write for an entry in Grove. 5/3/96. With handwritten notes, corrections, and markings (Note 2)
－Updates from Bell to Pian. 99-04-07 (Note 2)
－Letter from Iris to Bell about the deadline of Part II of the autobiography sketches. Dated August 13, 1996. With handwritten notes and corrections (Note 2)
－Letter from Iris & Ted to Bell about Bell’s father. Dated 3/27/97. Holograph (Note 2)
－Updates from Bell to Pian about life at HKU. Emails dated 97-06-03 and 97-06-05. With handwritten markings (Note 2)
－Email correspondence between Iris and Bell on the recording of her father’s text book Cantonese Primer. Email dated 97-06-08 (Note 2)
－Birthday greetings from Iris, Ted, Bella, Lei Liang, Yung Shen, and Joyce Chen to Bell dated July 21st 1997. With duplicate copy (Note 2)
－Postcard from B. to Rulan Chao Pian. Dated 6/14 (Note 2)
－Facsimile from Bell to Pian about the program for the Fifth International Conference on Ethnomusicology organized by Hsu Tsang-Houei. Dated September 5, 1992. With handwritten notes and markings (Note 2)
－Facsimile from Iris to Bell. About the Garland project, the concert on Sept 12th, and other. Faxed on 10/14/92 10:07pm. With handwritten notes (Note 2)
－Facsimile from Bell to Pian. On the outline for the volume East Asia for the Garland Encyclopedia of World Music. Dated January 18, 1992 (Note 2)
－Summary of the Celestial airs of antiquity: music of the seven-string zither of China, edited by Bell Yung (Note 2)
－Letter from G. Thomas Tanselle. On requesting her candid and critical appraisal of a candidate. For a Fellowship application. Dated November 1995. With handwritten markings (Note 2)
－Letter from Rulan Chao Pian to John Simon. A confidential report on candidate for fellowship. Dated on January 4, 1996. With handwritten notes (Note 2)
－Supplementary Statement 3: Statement of Plans, concerning the writing of a book on Cantonese narrative songs to be entitled A blind singer and his songs: Popular narratives in a Chinese teahouse (Note 1) (Note 2)
－Email correspondence between Pian and Bell for Pian being the external examiner at HKU. Dated 97-11-13 (Note 2)
－Email from Rulan to Bell for serving as an external examiner for the Hong Kong U. Dated November 12, 1996. With handwritten notes
－Updates from Bell to Pian. Facsimile dated December 12, 1996 (Note 1) (Note 2)
－Email from Iris to Bell about her trip to Hong Kong and the operation on her right eye. Dated Dec 12, 1996. With handwritten notes
－Greetings from Bell to Pian. Dated 97-01-27 (Note 1)
－Letter from Rulan Chao Pian to Assistant Registrar (Appointments) of the University of Hong Kong on the post of Readership/Senior Lectureship in Musicology at the University. Dated Dec 17, 1995. With handwritten corrections (Note 1)
－Acknowledgment for the receipt of Rulan Chao Pian’s confidential statement from John Simon Guggenheim Memorial Foundation. Dated January 10, 1996 (Note 1) (Note 2)
－Message from Bell to Pian concerning the proposed outline of the volume on China for the Garland Encyclopedia of World Music. Dated June 3, 1992. With handwritten notes (Note 2)
－Outline of the volume on China for the Garland Encyclopedia of World Music. With handwritten corrections and notes (Note 1)
－《中國近現代音樂史》目次。汪毓和著。北京音樂出版社，1984年2月。With handwritte and typednotes from Iris dated 6/4/92 to Bell about the structure of the book and her comments on page 1 of 2 (Note 2)
－Facsimile from Bell to Pian on the structure of a section on pop music. Holograph. Dated 6/4 (Note 1) (Note 2)
－Update from Iris to Bell. Dated 8-8 (Note 1)
－Facsimile from Bell to Pian requesting a short summary in Chinese for her article on fieldwork for the ICTM yearbook. Dated 1992-8-8 (Note 2)
－Facsimile from Bell to Pian on the segment on “Archeology of musical instruments.” Dated August 28, 1992 (Note 1) (Note 2)
－Facsimile from Iris to Bell about the Garland project, the concert on Sept 12th, and other. Dated 10/12/92. With handwritten notes to Siu-wah (Note 1)
－Facsimile from Bell to Pian about the Garland project, and SEM and AMS meetings. Dated October 8, 1992. With handwritten notes (Note 1) (Note 2)
－“Preparing a modern edition of a 15th century guqin repertory.” Bell Yung, University of Pittsburgh. With handwritten markings and corrections (Note 2)
－Friday noon recital. Facsimile. Organized by the Department of Music on Feb. 5, 1993 at the Music Bldg. 132 (Note 1) (Note 2)
－Greetings from Bell to Pian. Facsimile on May 15, 1993 (Note 1) (Note 2)
－Letter from Bell Yung to Pian to thank her participations in the conference in May on Chinese ritual music. Dated July 20, 1993 (Note 1) (Note 2)
－Harmony and counterpoint: ritual music in Chinese context. Edited by Bell Yung, Evelyn Rawski, and Rubie Watson. With summary and table of contents (Note 2)
－Letter from Wizurabu to Bell answering his questions. With handwritten markings, notes and Chinese translations to some words (Note 2)
－音樂學院期刊名稱及其他題目。有複本 (Note 2)
－Facsimile from Bell to Pian asking questions about the bibliography of her work. Dated August 5, 1993. Bibliography prepared by Siu-wah is attached. With handwritten markings (Note 1) (Note 2)
－Answers from Iris to Bell on 8/31/93. Holograph
－Charles Seeger and Modern Physics. Bell Yung. With handwritten markings and notes (Note 2)
－Bell Yung sends Pian the program of the in-house Departmental concert in which he is playing some Brahms. Faxed on Nov-30-93. With handwritten markings (Note 1) (Note 2)
－Facsimile from Iris to Bell on contacts of some people. Date 8/23/94. With handwritten corrections (Note 1)
－Facsimile from Bell to Iris asking for contacts of some people. Holograph. Faxed on Aug-23-94 (Note 1) (Note 2)
－Facsimile from Bell to Pian about his student being shortlisted in the search for a junior faculty member in ethnomusicology. Dated November 26, 1994 (Note 1) (Note 2)
－Memo dated on November 2, 1994 from Iris to Bell about her response when she was presented with the book which he had compiled. Holograph (Note 1)
－Letter to Bell about the search for ethnomusicologists at the Harvard Music Department. Typescript with holograph and handwritten markings (Note 1)
－Updates from Rulan Chao Pian to Bell Yung. Facsimile dated 1/17/95. With handwritten notes (Note 1)
－Facsimile from Bell to Pian on his piano and chyn playing, Pian’s autobiography, and his job application. Faxed on 16-Jan-1995. With handwritten notes and markings (Note 1) (Note 2)
－Facsimile from Iris to Bell questioning about Bell’s address and informing him about the job application procedure. Holograph (Note 1)
－Facsimile from Bell to Pian about her the progress of her autobiography and Chinoperl material, Mrs. Shen’s birthday celebration and a major performance by Danny and his team. Dated January 23, 1995 (Note 1) (Note 2)
－Facsimile from Bell to Pian about his contacts. Holograph. Dated 27-Jan-1995 (Note 1) (Note 2)
－Letter correspondence between University of California, Los Angeles and Rulan Chao Pian for a letter of reference. Letters dated January 13, 1995 and 1/30/95 respectively. With handwrittten notes (Note 1)
－Letter from Iris to Bell Yung c/o Danny Yung about the batch of returns of the questionnaires which Iris sent out to the Chinoperl Board of Directors. Dated Feb. 19, 1995. With handwrittten notes (Note 1)
－Facsimile from Iris to Bell concerning the place to send her second set of manuscript. Holograph. Dated 3/7/95 (Note 1)
－Facsimile from Bell to Pian to confirm her package had finally arrived at the dept. Holograph. Faxed on Mar-8-95 (Note 1) (Note 2)
－Letter from Bell Yung to contributors to the China Section, East and Inner Asia Volume, Garland Encyclopedia of World Music about his resignation from the editorship (Note 1) (Note 2)
－Facsimile from Bell to Pian about her manuscript and the translation of the title. Holograph. Dated 03.09.95 (Note 2)
－Facsimile from Bell to Pian on the addresses of various people that she needed and on her autobiography. Faxed on Mar-18-95 (Note 1) (Note 2)
－Facsimile from Bell to Pian on her autobiography and its short Chinese summary. Dated March 30, 1995 (Note 1) (Note 2)
－Letter from Iris to Bell on the translation of her autobiography and other issues about meeting up. Dated March 30, 1995. With handwrittten notes (Note 1)
－Birthday greeting to Bell Yung and his reply dated 7/22/95. Holograph (Note 1)
－Facsimile from Bell to Pian on the final draft of the next issue of Chinoperl papers. Faxed on Oct-14-95. With handwrittten notes and markings (Note 2)
－Facsimile from Iris to Bell with reply on the matters on Chinoperl papers. Dated on Oct 14, 1995. With handwrittten notes, corrections, and markings
－Letter from Assistant Registrar (Appointments) requesting opinion of an applicant’s qualifications and suitability for the post Readership/Senior Lectureship in Musicology. With handwrittten notes and markings (Note 1) (Note 2)
－Facsimile from Bell to Pian about his job application. Dated December 6, 1996 (Note 1) (Note 2)
－The music of Chou Wen-chung. Concert program. Presented by The Asia Society and Greenwich House Music School and performed by The New Music Consort on April 27, 1989 at Lila Acheson Wallace Auditorium, New York City (Note 2)
－Memo from Iris to Bell requesting a paper on “Three different kinds of organizing tune types.” Holograph (Note 1)
－Updates from Bell to Pian. Email dated 97-07-01 (Note 1) (Note 2)
－Email from Bell to Pian. With a copy of a paper entitled “Whose Family Values? Taxonomic, Genetic, and Cultural Approaches to Tune Family and Tune Identity” which he read at SEM conference in Toronto. With handwritten markings (Note 2)
－Paper by Bell Yung. Read at SEM conference in Toronto, 1996 With handwritten markings (Note 2)
－辛幸純給趙如蘭信函。有關 National Chiao Tung University, Institute of Arts 的人事空缺。傳真於 Jun 03, 94 (Note 1) (Note 2)
－Updates from Bell to Pian and giving a request of her article on 25 versions of xipi animated aria. Emailed dated 97-10-08 (Note 1) (Note 2)
－Email of appreciation from Bell to Pian for the copy of her text-setting article. Dated 97-10-10 (Note 2)
－Birthday greeting from Bell. A card (Note 2)
Dates
- 1992 - 1999
Language of Materials
Chiefly in English
Conditions Governing Access
Note 1: Contains personal data or sensitive information; access restricted
Conditions Governing Use
Note 2: Copyright restrictions may apply
Extent
1 file(s)
Creator
- From the Fonds: Pian, Rulan Chao, 1922-2013 (Creator, Person)
Repository Details
Part of the CUHK Library Archival Collections Repository
Contact:
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk
Special Collections Reading Room
3/F, University Library
The Chinese University of Hong Kong
spc@lib.cuhk.edu.hk