Au bord de la vie, 1992-2001, 2009

包括《生死界》一劇的海報、場刊、報刊報道、宣傳卡和單張等。此劇應法國文化部特約而編寫，中文劇本曾於《今天》雜誌 1991 年第 1 期刊載。依演出日期排列。

－Les Halles. 1 folded sheet (4 unnumbered pages) : illustrations ; 40 cm. In French. Avignon : Cie Alain Timar, [1992]. Newsletter on performances at Théâtre des Halles, Avignon, France, scheduled for November 27, 1992 to April 21, 1993. Includes information on Au bord de la vie and dates/places of performances (on January 6-16, 1993 at Le Rond Point Théâtre Renault-Barrault, Paris, on February 4-12, 1993 at Théâtre des Halles, Avignon, and in Festival d'Avignon in July 1993) (Note 2)

－Au bord de la vie (Leaflet). 1 folded sheet (4 unnumbered pages) : color illustration ; 21 cm. In French. Festival d'Avignon 1993. "Mise en scène d'Alain Timár." Promotional leaflet on the performances on July 18-24, 1993 at Théâtre des Halles, Avignon, France (Note 2)

－Dionysia : festival mondiale di drammaturgia contemporanea. 1 volume (unpaged) : portraits ; 24 cm. In Italian. [Veroli, Italy] : Fondazione Dionysia a Veroli ; [Rome, Italy] : Associazione Culturale Dionysia Project, [1994]. Theater festival program. Commune di Veroli, 28 maggio - 20 giugno '94. Includes biographical material on Gao Xingjian and summary of his "Ai margini della vita" (On the edge of life) 《生死界》, scheduled to be performed on June 13 and 16, 1994, at Chiesa di Sant' Antonio, Veroli, Italy (Note 2)

－Teatr Miejski w Gdyni. 1 card ; 19 x 13 cm. In Polish. Printed on both sides. "Sezon artystyczny 1996/97." Program leaflet listing staff of Teatr Miejski w Gdyni (Gdynia, Poland) and theatrical works for artistic season 1996/97, including Gao Xingjian's Na krawędzi życia《生死界》 (Note 2)

－Na krawędzi życia (Postcard). 1 portfolio (4 postcards) : black and white ; 19 cm. In Polish. [Gdynia] : Teatr Miejski Gdynia, [1996]. For the Polish premiere of《生死界》on November 16, 1996. Illustrated on each card with one Gao Xingjian painting (Note 2):
　1) 夢 = Le Rêve = Sen
　2) 歸途 = Le Retour = Powrót
　3) 觀 = L'observation = Obserwacja
　4) 倒影 = Le Reflect = Odbicie

－Na krawędzi życia (Poster). 1 poster : color ; 43 x 67 cm. In Polish. On the Polish premiere (translated and directed by Edward Wojtaszek) on November 16, 1996 at Teatr Miejski, Gdynia, Poland (Note 2)

－Between life and death = 生死界. 20 pages ; 22 cm. In Egnlish. A French Minstry of Culture commission. Theater program of the New York production and American premiere jointly presented by Blue Heron Theatre（藍鷺劇團）and Yangtze Repertory Theatre of America（美國長江劇團）on February 20, 1997. English translation by Joanne Chen（陳尹瑩）and choreography by Bin-Jung Lee（李斌榮） (Note 2)

－Théâtre des Halles. 1 volume (8 unnumbered pages) : illustrations ; 30 x 14 cm. In French. Avignon : Théâtre des Halles, [2001]. Program for Festival d'Avignon 2001. Includes performances of Gao Xingjian's Au bord de la vie (2001/07/06-28), Dialoguer/interloquer (2001/07/06-28), La raison d'être la littérature (2001/07/10-22), and lectures on Le livre d'un homme seul (2001/07/15-25) (Note 2)

－Mellan liv och död. 1 folded sheet (8 pages, 2 unnumbered pages) : color illustrations, portraits ; 15 cm. In Swedish. Theater program of the Swedish premiere (directed by Staffan Roos) of《生死界》on March 29, 2001 at Dramaten (Royal Dramatic Theatre), Stockholm, Sweden (Note 2)

－Au bord de la vie (Leaflet). 1 sheet (2 unnumbered pages) : illustration ; 20 x 11 cm. In French. "Création Théâtre des Halles/Cie Timar." Promotional leaflet on the performances (directed by Alain Timar) on May 29 to June 1, 2001, at Théâtre des Halles, Avignon, France (Note 2)

－Au bord de la vie (Poster). 1 poster : black and white ; 118 x 78 cm. In French. "Cie Alain Timár." On the performances held July 6-28, 2001 (during Festival d'Avignon 2001) at Théâtre des Halles, Avignon, France (Note 2)

－Au bord de la vie : lecture suivi d'un débat avec Gao Xingjian. 1 folded sheet (4 unnumbered pages) : illustrations ; 21 cm. In French. "Le Mundaneum présente." Painting on cover: Feu sauvage, 2009. Promotional leaflet of a talk on December 14, 2009. 1 sheet (21 x 10 cm) of Gao's biographical note inserted (Note 2)